Great Expectations, 1861
This could be the title or hashtag addressed to all of our
lives right now. We have great
expectations of when this self imposed quarantine will end, when our freedom
will be restored, of the plans we will make.
For Pip, the protagonist of the novel, great expectations
turn out not to be what he expects. For
that matter, most of the characters have great expectations that just don’t
happen.
Dickens as a little of Hugo or Hugo has a taste of Dickens
because a convict, Magwitch, decides to be kind to the sevenish or so Pip,
after he’s terrorized him in the cemetery early in the novel. After Pip brings him a file for his leg irons
and some food, he uses his ill gotten gains, becomes wealthy as a sheep farmer,
and becomes a secret benefactor to Pip.
Dickens’ favorite theme of secret pedigrees, of lost
fortunes returned, and of characters being connected in ways no one could
imagine, continues here. As with the
characters of Bleak House, many characters here wait for the wealth and
better things they think are coming, and are not happy with what they
have. Their financial and social
restlessness lead to unhappiness for them.
The theme of young men trying to gain an inheritance to make
their way in the world is a favorite of 19th century novels. Men, and women, are driven by the need to
better themselves by money and class are prevalent in Austen’s work. Think Mr. Collins the greedy, oafish cleric,
think Mr. Darcy’s disdain of such men.
Think the machinations of Mrs. Bennett and her attempts to marry off her
daughters to gentry.
Mr. Rochester tells his own story of his marriage to Bertha
Mason and of his early woes as a second son, doomed to make his own way. Heathcliff leaves Wuthering Heights
to earn wealth and social status to impress Cathy and become worthy of her
love. Cathy could be Estella’s long lost
twin; both are hard hearted to a certain extent, marry for class and money, and
learn the full extent of unhappiness through the wrong marriage. At least Estella lives to repent.
Joe Gargery, Pip’s faithful brother in law, is simple, lacks
education, but is self supporting. He is
a successful blacksmith who has provided for his family, and is happy with his
lot, though he knows society holds no place for him.
In these picaresque stories of young men and women coming of
age, fortunes are made and lost, and the adventures either make the main
character gain incite or maturity or the adventures kill him or her. Their ancestors are the bodice buster
romances like the Angelique books (Sergeanne Golon) and the women of Rosemary
Rogers’, Jennifer Wilde’s, and Kathleen Woodiwiss’s romances.
The women of Great Expectations have their own
adventures. Some, like Pip’s sister Mrs.
Joe have let money and social climbing obsess them. Mrs. Joe was an emotional cripple, insecure
and abusive, before Orlick’s attack on her rendered her a helpless invalid. She
is like Fagin; she sends out Pip and Joe to work, and if they come across a bit
of money, she takes it and hoards it, perhaps planning a great expectation of
her own.
Poor Miss Havisham is worthy of a book of her own. She is trapped in time and lives in the past,
forever the jilted bride. Like Bertha
Mason, her brother/half brother has betrayed her, except he has cost her a
marriage and part of her fortune. Where
Bertha remains married but mad and imprisoned in Rochester ’s attic, Miss Havisham remains rich
in money but poor in spirit. Her ghostly
figure haunts the novel, and like a puppet master, she manipulates Pip, Estella
her adopted daughter, and those around her.
She has taught Estella to hate men, and to be cold
hearted. Estella marries Drummle for his
wealth and class, though she doesn’t love him.
She also hurts Pip a great deal, and allows Miss Havisham and others in
the household to taunt Pip with tales of her courtship to Drummle, whom Pip
loathes.
Biddy is kind, grateful, and helpful. She improves herself and grows up from being
a dirty, clever street urchin to a self possessed young woman, comfortable with
herself, intelligent, an able to teach others.
The psychological drama and suspense are riveting in this
novel. An early film version plays a
prominent role in Anne Rice’s The Witching Hour. In fact, the novel itself was an influence on
Rice’s work.
By the end of Great Expectations, Pip has lost Biddy
to Joe Gargery, and Miss Havisham, who has repented her behavior after she is
burned in a terrible household accident.
Her demise reminds me a lot of Birdie’s in Rumer Godden’s The Doll’s
House, except that Birdie has a much kinder personality.
Pip in the end, manages to gain a career, and as an
accounting clerk, learns to account for his behavior and the cruel way he has
treated Biddy and Joe. He learns Estella
is Magwitch’s daughter, and the daughter of lawyer Jaggers’ servant, Molly. For all her airs, her background is far more
debased than his. In an early ending,
Pip remains a bachelor, unhappy, but serviceable. He could have been an employee in Melville’s
story, “Bartleby the Scrivener.” In the
second ending, he and Estella find each other, a happier ending, perhaps, for
an audience that craved them.
Lawyer Jaggers is
fearsome, even to the criminals he deals with.
He sets up Estella’s adoption by Miss Havisham, and does fairly by Pip,
but he is hard and emotionless for the most part. Dickens worked as a law clerk, and his
sympathy’s lie not with the profession.
As someone who has spent years using her law degree in firms, public
sector law, and legal studies, my sympathies tend to lie with Dickens’. Read an article called “The Emotional Labor
of Paralegals “ to learn more.
Dickens has influenced a world of writers, and he lives in
novelists as diverse as Thomas Hardy and Stephen King. His plots have shades of Shakespeare, as do
his characters, albeit sprinkled by a little Greek Tragedy.
In a world as crazy diverse and turbulent as ours, Dickens
still holds a place, and he fulfills many of our own great expectations when it
comes to reading for escape as well as pleasure.
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