Review: Memories of
Midnight by Sidney Sheldon
Sing me no songs of
daylight,
Fro the son is the
enemy of lovers.
Sing instead of
shadows and darkness,
And memories of
midnight.
Sappho
I was stunned that Sheldon, who also created TV shows like
Hart to Hart and I Dream of Jeannie, got the title for his sequel to The Other Side of Midnight from
Sappho. I love Sappho; I titled my
poetry chapbook, Sappho, I should have Listened, and my mother loved her and
did research for her. I loved her for
the dedication she wrote to Artemis when she left her doll at the goddesses’
altar, “Despise not my dolls little purple cloak”, and I loved her courage and
her passion. I even suffered for our art, hers and mine, when a fool who
thought he spoke Greek publically tried to correct me at a poetry reading. I was invited there to read from my book; he
hasn’t published anything. Dear Misha,
how I wanted to call him a “Malakas,” and give him a good Greek tongue lashing,
for I am a speaker of Greek first, and English second, but I didn’t do it. I’m too polite.
One can’t call Costa Demeris, the evil Greek Tycoon
antagonist of both of Sheldon’s novels set in Greece
In The Other Side of Midnight, Demeris gets even big time
when his mistress Noelle Page and his pilot, Larry Douglas, husband of
Catherine, betray him by falling in love, and well, doing the big nasty. Catharine is meant to be a victim in the
first book, but her book of victimology dictates she become a drunken
shrew. The sneaky lovers try to kill her
of, but fail. Only Demeris figures that
out, and sequesters Catharine, who has amnesia after Larry and Noelle try to do
her in. Noelle and Larry pay with their
lives before a Greek firing squad.
Fast forward to Memories of Midnight. Costa is stunned to discover Catharine is
regaining her memory. She’s a little
stupid to boot. It’s hard to feel sorry
for her. It’s also hard to feel sorry
for Melina, Demeris’ long suffering wife, who is supposed to be smart and chic,
yet takes insult after insult from him, and even though she knows he is a
monster, stays because she “loves him!”
Seriously! Not even in the
50s-60s atmosphere of the novel, the height of the Feminine Mystique, would real women put up with this! Times up, Melina! Her only way to get even is, spoiler alert,
is to destroy herself, but she still fails.
Costa double crosses everyone, till he meets a Thelma and Louise
ending with his lawyer, who must have influenced the villain in Stieg Larsson’s
books beginning with The Girl with the Dragon Tattoo.
Also, I’d like to know what happened to the museum curator
caught up in the Demeris’ smuggling caper.
His character is dropped like a hot potato. Other interesting villains are introduced,
but their character development is dropped.
Yet, this is a page turner, for all its flaws. Sheldon understands plot twists, even if he
uses too many of them, and he is that rare character, a male author who can
create believable women, albeit, sometimes women that are a little stupid. Catharine reminds me of the heroin of Valley of the Dolls for her naïveté. .
His Greek phonetics are very good; I wonder at how good he
is with the language and Greek culture.
I liked listening to his books on tape, but when I heard him
read his own Sands of Time, it reminded me of Booboo bear reading to Yogi;
Sheldon didn’t have the greatest reading voice.
He could write the” sweeping” novel as few could today,
maybe Dan Brown is a close contender.
Meanwhile, I hope he is somewhere with Sappho, and my
parents discussing literature in another dimension, somewhere on the other side
of midnight.
.
ories of Midnight by Sidney Sheldon
