Sex in the City and Excellent Women

I refer to the popular TV show, not around when I wrote my book. I'd say the four girls are modern Pym women, who answer throught he strength of their friendship with a resounding "yes!" whether women, single, married, of an age, can live a full life on their own.

My other Blogs

http://memoirlifestory.blogspot.com - A Blog for my seminar on writing memoir.



http://pymbronte.blogspot.com - A Blog for my course on Charlotte Bronte and Barbara Pym, with graphics, pictures, bibliographies and other materials and ideas.



http://dollmuseum.blogspot.com - Dr. E's Doll Museum Blog with book excerpts and materials about dolls and related subjects. Also, the beginnings of a web museum to preview the actual museum being planned.



http://dresgreening.blogspot.com. Tips for living green, crafts, recipes, and recycling.

2011 Course Outline

Below is the outline for our course. Selections and materials will expanded as we talk further. A paper on Pym and food and a partial bibliogrpahy on Pym will Follow. Don't forget our own women's magazines and interests in crafts and knitting, as well as the Killer Hobbies mysteries and novels about quilts. Images will not show up, but I will post many separately. Remember, this blog is a work in progress.

CommUniversity 2011 –Miss Brontë Meets Miss Pym
Ellen M. Tsagaris, J.D., Ph.D.
Week 1

“Let me explain that I am not at all like Jane Eyre. . .”


Figure 1; sketch attributed to Branwell

I. Course Introduction. Can a Single Woman life a Full Life? Can any woman live a full life, just for herself?
A. Charlotte and Barbara, women’s work and spin-offs
B. Food in Pym
C. Unsuitable attachments in both
D. Jane Slayer and The Crimes of Charlotte Brontë
E. The Blog: Miss Charlotte Brontë meets Miss Barbara Pym
II. Background women’s housework and women’s lives v. women’s writing lives:
o Plato
o Sor Juana Ines de la Cruz
o John Donne and Barbara Pym on Excellent Women
o Pym on Housework in Less than Angels and her mode of writing
· Julie and Julia, Martha Stewart, Rachel Rae, Paula Dean, etc.
o Bronte Sisters
o Coventry Patmore and his Angel of the House
o The Marquis and the Customs House Agent; Hawthorne and his unfortunate comment about “That Damned Mob of Scribbling Women” which included Harriet Beecher Stowe and E.D.E.N Southworth
o Southey and Charlotte; Ironic in light of Charlotte’s hero worship of Lord Byron [Byron’s “dry bob” comment in Don Juan].
o The Feminine Mystique
o Poets and chapbooks
o Juvenilia and Politics including The Duke of Wellington and Byron
o Women’s magazines
o The Killer Hobbies Mysteries
o Glaspell, Lee, The Nutshell Series of Unexplained Death
o Shirley Jackson and Domestic Horror





Figure 2: A Page of Charlotte’s Juvenilia
Charlotte’s married name was Mrs. Arthur Bell Nicholls , pseudonym Currer Bell/(1816-1855)Writer. Born April 21, 1816 in Yorkshire, England. Said to be the most dominant and ambitious of the Brontës, Charlotte was raised in a strict Anglican home by her clergyman father and a religious aunt after her mother and two eldest siblings died. She and her sister Emily attended the Clergy Daughter's School at Cowan Bridge, but were largely educated at home. Though she tried to earn a living as both a governess and a teacher, Charlotte missed her sisters and eventually returned home.
A writer all her life, Charlotte published her first novel, Jane Eyre, in 1847 under the manly pseudonym Currer Bell. Though controversial in its criticism of society’s treatment of impoverished women, the book was an immediate hit. She followed the success with Shirley in 1848 and Villette in 1853.
The deaths of the Brontës are almost as notable as their literary legacy. Her brother, Branwell, and Emily died in 1848, and Anne died the following year. In 1854, Charlotte married Arthur Bell Nicholls, but died the following year during her pregnancy. The first novel she ever wrote, The Professor, was published posthumously in 1857. biography.com.
II. Books and artifacts brought:
A. 1848 edition of Jane Eyre.
B. Illustrated Jane Eyre and Wuthering Heights
C. Ann Parker Doll
D. Greek Wuthering Heights
E. Films, tapes
F. Biographies, criticism and other books
G. Branwell shot glasses and jug
H. Books on Pym
I. Hazel Holt Mysteries
J. Needlework patterns and cookbooks
K. The artifacts of editing, clergy, and anthropology

Figure 3: Front page of first edition of Jane Eyre.

III. Intro to Excellent Women
Week II – Jane Eyre, Excellent Women and Jane and Prudence, will be expanded as we get to second week
A. Jane Eyre
a. Virginia Woolf on “The Continuing Appeal of Jane Eyre”
b. Barbara Hardy “Dogmatic Form: Charlotte Bronte” this and above essay from
Norton Critical Edition
c. Plot
d. Main Characters
e. Estate issues, Bertha, and Mr. Rochester as second son
f. Unsuitable attachments and Barbara Pym; could this love story really have come true
g. Bertha’s POV; is Jane really that nice?
h. Fraser and biographical elements in the novel

B. Wide Sargasso Sea- novel by Jean Rhys and Film
C. Life of Charlotte Bronte and Mrs. Gaskell

Week III - will be expanded as we get to third week
A. Wuthering Heights, a brief discussion, and An Unsuitable Attachment and The Sweet Dove Died
a. Plot
b. History and photos of the real houses; Emily’s historical sources
c. Major characters
d. Themes
i. Destructiveness of love
ii. Estate and real estate issues and Heathcliff
iii. Nature v. culture
iv. Moors [Deanna Raybourn and Silent on the Moor]
v. Ghosts
e. Questions to ponder:
i. Given the similarity of many of the names in the novel, what role do you think names play in Wuthering Heights?
ii. Compare Edgar to Heathcliff; do you think Catherine can really love Edgar?
iii. Describe the personality of Nellie Dean, aka, Ellen.
iv. Contrast Wuthering Heights and Thrushcross Grange.
v. Would it change your view of Heathcliff if he turned out to be an elder son of Mr. Earnshaw? Why or why not?
Week IV – will be expanded as we get to fourth week
A. Tenant of Wildfell Hall and Less Than Angels, A Very Private Eye, Quartet in Autumn
a. Plot
b. Characters
c. The live of a governess

Figure 5: pre-Raphaelite inspired cover of Anne's Book.
B. Agnes Grey
a. Plot
b. Characters
c. Bronte influence on the Romance Novel; my book on Pym

Figure 6: Early edition
C. Masterpiece Theater version
D. Conclusion and Survey



Heathcliff paper Doll




uilts and needlework. This is the world of romance, of coziness, of coffee and tea parties, shopping, mystery, writing, intrique, ghosts, and love. Enjoy!

Additions to Selected Sources Pym and Bronte

I've added some more sources, including an illustrated Jane Eyre an a Greek language version of Wutherng Heights.

Sources on Related Authors with Similar Themes Wilder and Glaspell

Laura Ingalls Wilder and Susan Glaspell:
Definitive Laura Ingalls Wilder and Little House on the Prairie: http://www.laurasprairiehouse.com/
The Ingalls and Wilder Family and Friend Biographies. http://www.laurasprairiehouse.com/family/index.html
The Ingalls Family
Charles Phillip Ingalls - "Pa"
This is Laura Ingalls Wilder's father, better known as "Pa" in the Little House Books.
Caroline Lake Quiner - "Ma"
This is Laura Ingalls Wilder's mother, better known as "Ma" in the Little House Books.
Mary Amelia Ingalls
This is Laura's older sister, whom became blind. Laura was her "eyes" to the world.
Laura Elizabeth Ingalls
This is Laura of the Little House books, and the writer of the wonderful children's series.
Caroline Celestia Ingalls "Carrie"
This is Laura's younger sister Carrie.
Charles Frederick Ingalls Jr.
Although never a character in the Little House books, he was Laura's younger brother, also known as Freddie.
Grace Pearl Ingalls
This is Baby Grace, Laura's youngest sister.

The Ingalls and Quiner's
Laura Ladocia Ingalls and her family
Aunt Docia, Uncle Hi, Lena and Gene, from the Big Woods and Silver Lake.
The Wilder's
Almanzo James Wilder
Husband to Laura Ingalls Wilder

Rose Wilder Lane
Rose is Laura and Almanzo's only daughter.
Royal Wilder
Royal is Almanzo's brother. The two lived together in De Smet, and appeared in several of the Little House books.
Eliza Jane Wilder
This is Almanzo's sister, and was also Laura's school-teacher in Little Town on the Prairie.
Friends
Nellie Oleson
Nellie is Laura's arch-rival in the Little House books.
Mr. Edwards
The wildcat from Tennesse, this is the man who met Santa Claus to get the presents for the Ingalls girls on Christmas.
Cap Garland
Cap Garland was a friend of Laura's and Almanzo's, and was the one who went with Almanzo to buy wheat when the town was starving during The Long Winter.
Mary Power
Mary Power was one of Laura's closest friends while attending school in De Smet.
Robert and Ellie Boast
The Boasts were among the Ingalls family's closest friends, and shared many holidays with one another.
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The Laura Ingalls Wilder Historic Home & Musem, located in Mansfield Missouri. Here you can learn more about where the Little House books were written.
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Susan Glaspell Society Bibliographies:
Dramatic Work
Alison's House: A Play in Three Acts. New York: Samuel French, 1930. Also in: Six Plays. (Works by Marc Connelly, Elmer Rice, and others.) London: Victor Gollancz, Ltd., 1930. 579-672; The Pulitzer Prize Plays. Ed. K.H.C. Cordell and W.H. Cordell. New York: Random House, 1935.
Bernice: A Play in Three Acts. Theatre Arts Magazine 3 (1919): 264-300. Also in: Plays. Boston: Small, Maynard and Company, 1920; Contemporary American Dramatists, Vol. III. No. 3 in a volume issued by the publisher with the lettering Three Plays by Susan Glaspell. London: Ernest Benn, Limited, 1924.
"Chains of Dew." Unpublished typescript. Copies deposited in Library of Congress, Washington, D.C., and the Susan Glaspell Collection in the Library at St. Ambrose College, Davenport, IA.
Close the Book. The People, and Close the Book: Two One-Act Plays. New York: Frank Shay, 1918. Also in: Plays. Boston: Small, Maynard and Company, 1920.
The Comic Artist: A Play in Three Acts (with Norman Matson). New York: Frederick A. Stokes Company, 1927. Also in: Contemporary American Dramatists, Vol. VI. London: Ernest Benn, Limited, 1927.
Inheritors: A Play in Three Acts. Boston: Small, Maynard and Company, 1921. Also in: Contemporary American Dramatists, Vol. II. No. 2 in a volume issued by publisher with the lettering Three Plays by Susan Glaspell. London: Ernest Benn, Limited, 1924; New York: Dodd, Mead and Company, Inc., ca. 1928; Plays by Susan Glaspell. Ed. C.W.E. Bigsby. Cambridge: Cambridge University Press, 1987.
O Teatro de Susan Glaspell: cinco peas. Ed. and Trans. Lucia Sander. Brazil: U.S. Embassy in Brazil, 2002. Contains five plays by Susan Glaspell translated into Portuguese.
The Outside: A Play in One Act. In Plays. Boston: Small, Maynard and Company, 1920. Also in: Sea Plays. Ed. Colin Campbell Clement. Boston: Small, Maynard and Company, Inc., 1925; A Century of Plays by American Women. Ed. Rachel France. New York: Richards Rosen Press, Inc., 1979; Plays by Susan Glaspell. Ed. C.W.E. Bigsby. Cambridge: Cambridge University Press, 1987; Shorewords: A Collection of American Women’s Coastal Writings. Ed. Susan A.C. Rosen. University of Virginia Press, 2003.
The People. The People, and Close the Book: Two One-Act Plays. New York: Frank Shay, 1918. Also in: Plays. Boston: Small, Maynard and Company, 1920.
Plays. Boston: Small, Maynard and Company, 1920. (Contains Trifles, The People, Close the Book, The Outside, Woman's Honor, Bernice, Suppressed Desires, and Tickless Time, the last two written in collaboration with George Cram Cook.) Also New York: Dodd, Mead and Company, Inc., 1920.
Plays by Susan Glaspell. Ed. C.W.E. Bigsby. Additional textual notes by Christine Dymkowski. Cambridge: Cambridge University Press, 1987. (Contains Trifles, The Outside, The Verge, Inheritors.)
"Springs Eternal." Unpublished typescript. Copy deposited in Henry and Albert Berg Collection, New York Public Library.
Suppressed Desires: A Comedy in Two Scenes (with George Cram Cook). New York: Frank Shay, 1916. (The cover reads as follows: The Provincetown Plays II: Suppressed Desires--A Freudian Comedy in One Act, by George Cram Cook and Susan Glaspell.) Also in: Metropolitan 45 (January 1917): 19-20, 57-58; Plays. Boston: Small, Maynard and Company, 1920; Representative One-Act Plays by American Authors. Ed. Margaret Gardner Mayorga. Boston: Little, Brown, and Co., 1920; The Provincetown Plays. Eds. George Cram Cook and Frank Shay. Cincinnati: Stewart Kidd Company, 1921; New York and London: Samuel French, Inc., [1932]; Trifles and Six Other Short Plays. London: Ernest Benn, Ltd., 1926. 103-26; Boston: Walter H. Baker Company, 1924; Ten Short Plays. Ed. M. Jerry Weiss. New York: Dell Publishing Co., 1976; The Longman Anthology of American Drama. Ed. Lee A. Jacobus. New York: Longman, 1982; 1915, The Cultural Moment: The New Politics, the New Woman, the New Psychology, the New Art, and the New Theatre in America. Eds. Adele Heller and Lois Rudnick. New Brunswick: Rutgers University Press, 1991.
Three Plays by Susan Glaspell. London: Ernest Benn, Limited, 1924. (Contemporary American Dramatists, Vols. I-III containing The Verge, Inheritors, and Bernice.)
Tickless Time: A Comedy in One Act (with George Cram Cook). In: Plays. Boston: Small, Maynard & Company, 1920; Also in: Contemporary One-Act Plays of 1921 (American). Ed. Frank Shay. Cincinnati: Stewart Kidd Company, 1922; Reissued later in 1922 as Twenty Contemporary One-Act Plays (American) by same press; Baker's Royalty Plays. Boston: Walter H. Baker Co., 1925. 275-315; Trifles and Six Other Short Plays. London: Ernest Benn, Limited, 1926; Ten Modern Plays. Ed. J. Hampden. London: T. Nelson & Sons, Ltd. 1928; One-Act Plays for Junior High School. Ed. Catherine Bullard. New York: H. Holt & Co., 1937.
Trifles. New York: Frank Shay, The Washington Square Players, 1916. Also in: Plays. Boston: Small, Maynard and Company, 1920; Boston: Walter H. Baker Company, 1924; Trifles and Six Other Plays. London: Ernest Benn, Limited, 1926 (contains Trifles, The People, Close the Book, The Outside, Woman's Honor, Suppressed Desires, and Tickless Time); Golden Book Magazine 11 (March 1930): 97-102; New York and London: Samuel French, Inc., [1932]; Plays by Susan Glaspell. Ed. C. W. E. Bigsby. Cambridge: Cambridge University Press, 1987.
The Verge: A Play in Three Acts. Boston: Small, Maynard and Company, 1922; New York: Dodd, Mead and Company, 1922; London: Ernest Benn, Limited, 1924.; Also in: Contemporary American Dramatists, Vol. I. No. 1 in a volume issued by the publisher with the lettering Three Plays by Susan Glaspell, London: Ernest Benn, Limited, 1924; Plays by Susan Glaspell. Ed. C. W. E. Bigsby. Cambridge: Cambridge University Press, 1987.
Woman's Honor. In Plays. Boston: Small, Maynard and Company, 1920.
A Partial Listing of Anthologies containing Trifles since 1970:
Images of Women in Literature. Ed. Mary Anne Ferguson. Boston: Houghton Mifflin Co., 1973.
Women in Drama. Ed. Harriet Kriegel. New York: New American Library, 1975.
By Women: An Anthology of Literature. Ed. Linda Kirschner and Marcia Felson. Boston: Houghton, Mifflin Company, 1976.
Plays by American Women: The Early Years. Ed. Judith E. Barlow. New York: Avon Books, 1981; revised version entitled Plays by American Women: 1900-1930. Ed. Judith Barlow. New York: Applause Theatre Book Publishers, 1985.
An Introduction to Literature: Fiction/Poetry/Drama. Ed. Sylvan Barnet, Morton Berman, and William Burto. Boston: Little Brown and Company, 1985.
The Norton Anthology of Literature by Women: The Tradition in English. Ed. Sandra M. Gilbert and Susan Gubar. New York: W.W. Norton and Co., 1985.
Types of Drama: Plays and Essays. Ed. Sylvan Barnet, Morton Berman, and William Burto. Boston: Little Brown and Company, 1985.
Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy. Boston: Little, Brown and Co., 1987.
Women in Literature: Life Stages Through Stories, Poems and Plays. Ed. Sandra Eagleton. Englewood Cliffs: Prentice Hall, 1988.
Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs: Prentice Hall, 1989. (With "A Jury of Her Peers.")
The Bedford Introduction to Literature. Ed. Michael Meyer. Boston: Bedford Books of St. Martin's Press, 1990.
The Heath Anthology of American Literature. Volume 2. Ed. Paul Lauter et. al. Lexington, MA: D. C. Heath and Company, 1990.
Literature. Ed. James H. Pickering and Jeffrey D. Hoeper. New York: Macmillan Pub., Co., 1990.
Literature: The Human Experience. Ed. Richard Abcarian and Marvin Klotz. New York: St. Martin's Press, 1990.
Literature: Reading Fiction, Poetry, Drama, and the Essay. Ed. Robert DiYanni. New York: McGraw-Hill Pub. Co., 1990.
Literature and Society: An Introduction to Fiction, Poetry, Drama, Nonfiction. Ed. Pamela J. Annas and Robert C. Rosen. Englewood Cliffs: Prentice Hall, 1990.
Heritage of American Literature: Civil War to the Present. Volume 2. Ed. James E. Miller, Jr. New York: Harcourt Brace Jovanovich, 1991.
An Introduction to Modern One-Act Plays. Ed. Marshall Cassady. Lincolnwood: National Textbook Company, 1991.
Literature: Reading, Reacting, Writing. Ed. Laurie G. Kerszner and Stephen R. Mandell. Fort Worth: Holt, Rinehart and Winston, Inc., 1991.
The Norton Introduction to Literature. Ed. Carl E. Bain, Jerome Beaty, and J. Paul Hunter. New York: W. W. Norton & Co., 1991.
Novels
Ambrose Holt and Family. New York: Frederick A. Stokes Company, 1931; London: Victor Gollancz, Ltd., 1931; Hamburg, Paris, Bologna: The Albatross, 1932; New York: A. L. Burt Company, 1933.
Brook Evans. New York: Frederick A. Stokes, 1928; Also London: Victor Gollancz, Ltd., 1928; Leipzig and Vienna: TAL, 1929. (Translated by Georg Schwartz as Narzissa.); New York: A. L. Burt Company, 1930; New York: A. L. Burt Company, 1930. (Photoplay edition for The Right to Love, a film based on Brook Evans); London: The Readers Library Publishing Company, [1932]. (Published under the title The Right to Love. Brook Evans.); Jassy, Romania: Albina Romaneasca, 1936. (Translated by Elena Fotescu as Dreptul La Iubire [The Right to Love].); London: Persephone Books, Ltd., 2001 (in print).
Fidelity. Boston: Small, Maynard and Company, 1915; Also London: Jarrolds, Publishers, Ltd., 1924; Wiesbaden: Limes-Verlag, 1947. (Translated by Rudolf Nutt and Hans Beppo Wagenseil as Treue.); London: Persephone Books, Ltd., 1999 (in print).
Fugitive's Return. New York: Frederick A. Stokes Company, 1929; Also London: Victor Gollancz, Ltd., 1929; New York: A. L. Burt Company, 1931.
The Glory of the Conquered: The Story of a Great Love. New York: Frederick A. Stokes Company, 1900; Also London: Sir Isaac Pitman and Sons, 1909; Philadelphia: Library Company of Philadelphia, 1910; New York: A. L. Burt Company, 1912; London: Jarrolds, Publishers, Ltd., 1925.
Judd Rankin's Daughter. Philadelphia: J. B. Lippincott Company, 1945; Also London: Victor Gollancz, Ltd., 1946. (Published under the title Prodigal Giver.); New York: Grosset & Dunlap, Inc., 1947. (Books of Distinction.)
The Morning Is Near Us: A Novel. New York: Frederick A. Stokes Company, 1940; Also London: Victor Gollancz, Ltd., 1940; New York: Literary Guild of America, Inc., 1940; Rio de Janeiro: Olympio, 1943. (Translated by Maluh de Ouro Prdto as A Madrugada Se Aproxima.) (Col. Os Grandes Romances para a Mulher, 9.)
Norma Ashe. Philadelphia: J. B. Lippincott Company, 1942; Also London: Victor Gollancz, Ltd., 1943.
The Visioning: A Novel. New York: Frederick A. Stokes Company, 1911; Also London: John Murray, 1912; New York: A. L. Burt Company, 1913.
Short Stories
"According to His Lights." American 72 (June 1911): 153-62; reprinted in Lifted Masks as "'One of Those Impossible Americans.'" New York: Frederick A. Stokes, 1912. 1-25; New York: Winthrop Press, c. 1914; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 1-25.
"Agnes at Cape's End." American 80 (September 1915): 6-7, 67-72.
"The Anarchist: His Dog." American 74 (June 1912): 145-54; reprinted in Lifted Masks. New York: Frederick A. Stokes, 1912. 215-239; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 215-239.
"At the Source." Ladies' Home Companion 39 (May 1912): 5-6.
"At the Turn of the Road (A Christmas Story)." The Speaker 2.8 (1906): 359-61.
"At Twilight." In Lifted Masks. New York: Frederick A. Stokes, 1912. 240-57; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 240-257.
"The Awakening of the Lieutenant-Governor: A Present-Day Story of American Politics." Munsey's 31 (August 1904): 660-65; reprinted in Lifted Masks as "The Preposterous Motive." New York: Frederick A. Stokes, 1912. 173-89; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 173-189.
"'Beloved Husband.'" Harper's 136 (April 1918): 675-79.
"A Boarder of Art: How She Changed One Man's Appetite." Ladies' Home Journal 29 (October 1912): 10-11, 92-93.
"The Boycott on Caroline." Youth's Companion 80 (22 March 1906): 137-8.
"The Busy Duck." Harper's 137 (November 1918): 828-36\
Cherished and Shared of Old. Illustrated by Alice Harvey. New York: Julian Messner, Inc.,1940; Fireside Book of Yuletide Tales. Ed. E. C. Wagenknecht. Indianapolis: Bobbs Merrill, 1948.
"Coming Years." Unpublished typescript, Henry and Albert Berg Collection, New York Public Library.
"Contrary to Precedent." Booklovers 3 (January-June 1904): 234-56.
"The Escape." Harper's 140 (December 1919): 29-38.
"Everything You Want to Plant." Every Week 5 (13 August 1917): 5-7, 20-1.
"Faint Trails." Unpublished typescript, Henry and Albert Berg Collection, New York Public Library. Fictional adaptation of Bernice.
"The Faithless Shepherd." Cornhill 60 (January 1926): 51-71.
"'Finality' in Freeport." Pictorial Review 17 (July 1916): 14-15, 32.
"First Aid Teacher." Unpublished typescript, Henry and Albert Berg Collection, New York Public Library.
"For Love of the Hills." Black Cat 11 (October 1905): 1-11; reprinted in Lifted Masks. New York: Frederick A. Stokes, 1912. 41-56; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 41-56.
"For Tomorrow: The Story of an Easter Sermon." Booklovers 5 (March 1905): 559-70.
"Freckles MGrath." Munsey's 31 (July 1904): 481+; reprinted in Lifted Masks. New York: Frederick A. Stokes, 1912. 57-70; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 57-70.
"From A to Z." American 65 (October 1909): 543+; reprinted in Lifted Masks. New York: Frederick A. Stokes, 1912. 71-100; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 71-100.
"The Girl from Down-Town." Youth's Companion 77 (2 April 1903): 160-1.
"Good Luck." Good Housekeeping 67 (September 1918): 44-6, 122-26.
"'Government Goat.'" Pictorial Review April 1919: n.p.; Best Short Stories of 1919. Ed. E. J. O'Brien.Boston: Small, Maynard and Company, 1920. 147-66; Social Insight Through Short Stories. Ed. J. Strode. New York: Harper, 1946.
"The Hearing Ear." Harper's 134 (December 1916): 234-41.
"Her Heritage of Ideals." Canadian 48.1 (November 1916): 63-8.
"His America." In Lifted Masks. New York: Frederick A. Stokes, 1912. 190-214; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 190-214.
"His Smile." Pictorial Review 22 (January 1921): 15-16, 91; reprinted in Best Short Stories of 1921. Ed. E.J.H. O'Brien. Boston: Small, Maynard and Company, 1922.
"How the Prince Saw America." American 62 (July 1906): 274+; reprinted in Lifted Masks. New York: Frederick A. Stokes, 1912. 120-35; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 120-135.
"In the Face of His Constituents." Harper's 107 (October 1903): 757-62; reprinted in Lifted Masks as "The Plea." New York: Frederick A. Stokes, 1912. 26-40; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 26-40.
"The Intrusion of the Personal." Frank Leslie's Monthly 57 April 1904: 629-32.
"A Jury of Her Peers." Associated Sunday Magazine (March 4, 1917): 4-13; Every Week 5 (5 March 1917) pages unknown; reprinted in Best Short Stories of 1917. Ed. Edward J. O'Brien. Boston: Small, Maynard and Company, 1918. 256-82; London: Ernest Benn, Ltd., 1927. (Benn's Yellow Books.); Recent Short Stories. Eds. M. Pendleton and D. S. Wilkins. New York: D. Appleton & Co., 1928; Modern American Short Stories. Ed. E.J.H. O'Brien; New York: Dodd, Mead & Co., 1932; Golden Book Magazine 16 (December 1932): 506-20; Short Stories by Present-Day Authors. Ed. R. W. Pence. New York: Macmillan, 1934; The Bedside Book of Famous American Short Stories. Ed. J. A. Burrell and Bennett Cerf. New York: Random House, 1936; Murder Without Tears. Ed. W.J. Cuppy. New York: Sheridan House, 1946; Social Insight Through Short Stories. Ed. J. Strode. New York: Harper, 1946; Book of Short Stories. Ed. C. A. Pugh. New York: Macmillan Co., 1947; To the Queen's Taste. Ed. Ellery Queen. London: Faber & Faber, 1949; U.S. Stories: Regional Stories from the Forty-Eight States. Eds. Martha Foley and Abraham Rothberg. New York: Farrar, 1949; An Anthology of Famous American Stories. Eds. Angus Burrell and Bennett Cerf. New York: Modern Library, 1953; Contemporary Short Stories. Vol. 3. Ed. M. Baudin. New York: Liberal Arts Press, 1953; Saigon: Tho'i-Dai, 1959. (Translated by Anh Thu, Kim Dinh, et al., as "Ai LA Thu-pham." In an anthology containing works by Washington Irving, Louis Bromfield, Frank R. Stockton, Mary E. Wilkins Freeman, Susan Glaspell, and Bret Harte.); American Voices, American Women. Eds. Lee R. Edwards and Arlyn Diamond. New York: Avon, 1973; Literature: An Introduction to Reading and Writing. Eds. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs: Prentice Hall, 1989; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 279-306.
"The Last Sixty Minutes." In Lifted Masks. New York: Frederick A. Stokes, 1912. 136-48; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 136-148.
Lifted Masks. New York: Frederick A. Stokes Company, 1912. Contains the following stories: "One of Those Impossible Americans" (originally published as "According to His Lights"), "The Plea" (first published as "In the Face of His Constituents"), "For Love of the Hills," "Freckles M'Grath," "From A to Z," "The Man of Flesh and Blood," "How the Prince Saw America," "The Last Sixty Minutes," "'Out There,'" "The Preposterous Motive" (first published as "The Awakening of the Lieutenant Governor"), "His America," "The Anarchist: His Dog," and "At Twilight." Reprinted as Lifted Masks and Other Works. Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. Includes, in addition to the stories contained in the 1912 edition, Trifles, "A Jury of Her Peers," and "Finality in Freeport."
"Linda." Unpublished typescript, Henry and Albert Berg Collection, New York Public Library.
"Looking After Clara: What Happened to Mr. Stephen Blatchford When He Decided to Marry." Ladies' Home Journal 31 (August 1914): 9, 35-7. A contest selection arranged by Lilian Holmes Strack. Boston: Walter H. Baker Company, 1926.
"The Man of Flesh and Blood." Harper's 108 (May 1904): 957; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 101-119.
"The Manager of Crystal Sulphur Springs." Harper's 131 (June 1915): 176-184.
"A Matter of Gesture." McClure's 49 (August 1917): 36-8, 65-7.
"Miss Jessie's Trip Abroad." Woman's Home Companion 48 (November 1916): 9-10, 79.
"The Nervous Pig." Harper's 140 (February 1920): 309-20.
"Old College Friends." Unpublished story read 14 June 1899 at pre-commencement ceremonies, Drake University, Iowa.
"On the Second Down." Authors Magazine 3.1 (November 1902): 2-11.
"'Out There.'" In Lifted Masks. New York: Frederick A. Stokes, 1912. 149-72; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 149-172.
"The Philosophy of War." The Delphic 15 (October 1898): 24.
"Pollen." Harper's 138 (February 1919): 446-51. Also in Golden Book Magazine 20 (September 1934): 275-82.
"Poor Ed." Liberator 1 (March 1918): 24-9.
"The Rekindling." Designer (October 1910): 325+.
"The Resurrection and the Life." Smart Set (September 1913): 65-8.
"The Return of Rhoda." Youth's Companion 79 (26 January 1905): 40.
"A Rose in the Sand." Pall Mall Magazine 1 (May 1927): 45-51.
"The Rules of the Institution." Harper's 128 (December 1913): 198-208.
"Tom and Towser." Davenport Weekly Outlook 26 December 1896: 8.
"The Tragedy of a Mind." The Delphic 14 (February 1898): 98-102.
"Unveiling Brenda." Harper's 133 (June 1916): 14-26.
"Whom Mince Pie Hath Joined Together: The Story of a Starving Girl and a Thanksgiving Dinner in Paris." Ladies' Home Journal 30 (November 1913): 10, 71-3. A contest selection arranged by Lilian Holmes Strack. Boston: Walter H. Baker Company, 1926.
Essays and Nonfiction
"Bismarck and European Politics." The Delphic 15 (March 1899): 149. (An oration awarded first prize in the Drake oratorical contest.)
"Dwellers on Parnassos." New Republic 33 (17 January 1923): 198-200.
"George Cram Cook: Founder of The Provincetown Players." 11 October 1924 Provincetown playbill for The Saint.
The Hossack Case reports. Des Moines Daily News 3 December 1900-13 April 1901.
"In Memoriam." The Delphic 15 (February 1899): 126-29.
"Joe." The Masses 8 (January 1916): 9.
"John Noble." New York Herald Tribune Magazine 13 May 1934: 7.
"Last Days in Greece." In Greek Coins: Poems by George Cram Cook. Ed. by Susan Glaspell. New York: George H. Doran Company, 1925. 31-49.
"The News Girl" columns. Des Moines Daily News 4 April 1900: 4, cols. 5-6; 19 May 1900: 4 cols. 6-7; 1 June 1900: 5, cols. 6-7; 2 June 1900: 4, col. 5; 16 June 1900: 4, cols. 6-7; 30 June 1900; 3 July 1900.
"The Provincetown Players." In The Provincetown Guide Book. Provincetown, Massachusetts: The Art Association, 1928. 12-14.
"The Right of Choice Is Freedom: To Chirp or Not to Chirp, That is the Question for Crickets." Chicago Sun 2 December 1945: page numbers unknown.
The Road to the Temple. London: Ernest Benn, Limited, 1926; New York: Frederick A. Stokes Company, 1927; New York: Frederick A. Stokes Company, 1941. (Without illustrations, republished with a new foreword); The Road to the Temple: A Biography of George Cram Cook. Ed. with new introduction and bibliography by Linda Ben-Zvi. Jefferson, North Carolina, and London: McFarland & Company, Inc., 2005.
"Social Life" columns. Davenport Weekly Outlook July 1896-July 1897.
"Susan Glaspell Says We Need Books Today As Never Before." Chicago Sunday Tribune 6 December 1942: sec. 4, p. 11.
Non-print Sources: Film, Filmstrips, Audiotapes
Beginnings. Produced and distributed by Rutgers University Press, 109 Church St., New Brunswick, NJ 08901. Available on videotape format separately or as part of a book/videotape package. 1992.
A Jury of Her Peers. Directed by Sally Heckel. Produced and distributed by Texture Films, Inc., Division of Public Media Inc., P. 0. Box 1337, Skokie, IL 60076; 5547 North Ravenswood Avenue, Chicago, IL 60640. Available in 16 mm. film and in 3/4 or 1/2 inch video. Length: 30 minutes. Color. 1981. Reissued in 2006 by Women Make Movies, a non-profit feminist media arts distributor of films and videos by and about women. For more info: http://www.wmm.com/filmcatalog/pages/c656.shtml
The Right to Love. Directed by Richard Wallace. Produced and distributed by Paramount. Cinematography by Charles Lang. Starring Ruth Chatterton, Paul Lukas, David Manners, George Baxter, Irving Pichel, Veda Buckland, and Oscar Apfel. Screenplay by Zoe Akins. Feature film. Length: 79 minutes. Black and white. 1931. Based on the novel Brook Evans.
A Question of Justice. In the series entitled American Woman In Fact and Fiction Series. Produced and distributed by University of California Ext. Media Center, 2176 Shattuck Avenue, Berkeley, CA 94704. One 7/8 IPS audio tape cassette, monaural. Length: 30 minutes. 1958. A dramatic adaptation of the short story "A Jury of Her Peers."
Trifles. Produced by Martha Moran. Distributed by Phoenix/BFA Films and Video, Inc., 470 Park Avenue South, New York, NY 10016. Available in 16 mm. film and in 3/4 or 1/2 inch video. Length: 21 minutes. Color. Aimed at the junior college and adult level. 1979. Based on the short story "A Jury of Her Peers" and the play Trifles.
Trifles. Produced and distributed by Centre Productions, 1800 30th Street, Suite 207, Boulder, CO 80301. Media type is listed as MV1B. Length: 22 minutes. Color. Aimed at the high school level. No release date listed. Based on the play Trifles.
You Decide--Making Moral Decisions; Part 3--Conscience vs. the Law. Produced by Sunburst communications, 39 Washington Avenue, Pleasantville, NY 10570. Filmstrip with record, cassette, and script. Length: 82 frames. Color. Aimed at the junior-high level. "A Jury of Her Peers" is used to illustrate Lawrence Kohlberg's theory of moral development.
Archival Resources and Manuscript Collections
Archives of Labor and Urban Affairs, Walter P. Reuther Library, Wayne State University, Detroit, Michigan: Mary Heaton Vorse, Playhouse History I and Mary Heaton Vorse, Playhouse History II
Beinecke Rare Books and Manuscript Library, Yale University, New Haven, Connecticut: Barrett Clark Papers, Arthur Ficke Papers, Hutchins Hapgood and Neith Boyce Papers, Edna Kenton, The Provincetown Players and the Playwrights Theatre, 1915-1922, Lawrence Langner Papers, Eugene ONeill Collection, Carl Van Vechten Papers, Edmund Wilson Papers
Berg (Henry W. and Albert A.) Collection of English and American Literature, New York Public Library, Astor, Lenox, and Tilden Foundations, New York, NY: George Cram Cook Papers, Susan Glaspell Papers, May Sarton Papers
Billy Rose Theatre Collection, New York Public Library for the Performing Arts, New York, NY: George Cram Cook File, Susan Glaspell File, Edward Goodman Papers, Provincetown Players File
Clifton Waller Barrett Library of American Literature, Special Collections Department, University of Virginia Library, Charlottesville, Virginia: Papers of Susan Glaspell, Papers of Eugene ONeill
Copyright Drama Collection, Manuscript Division, Library of Congress, Washington DC: Federal Theatre Project Collection
Davenport Public Library, Davenport, Iowa: Susan Glaspell File
Department of Special Collections, University of California Library, Davis, California: Robert Karoly Sarlos Papers
Department of Rare Books and Special Collections, University of Michigan Library, Ann Arbor, Michigan
Department of Special Collections, Stanford University Libraries, Stanford, CA
Drake University, Des Moines, Iowa: Susan Glaspell File, Records Office
Fales Collection, Elmer Bobst Library, New York University, New York, NY: Edna Kenton Papers
Harvard Theatre Collection, Nathan Marsh Pusey Library, Harvard University, Cambridge, Massachusetts: Agnes Boulton Papers, Susan Glaspell Papers, Edna Kenton Papers, Eugene O’Neill Papers, Provincetown Players Scrapbooks
Houghton Library, Harvard University: Martha Dickinson Bianchi Papers, John Reed Papers
Lilly Library, Indiana University, Bloomington Indiana
Museum of the History of New York: Provincetown Players File
National Archives, Washington DC: Records of the Federal Theatre Project, Records of the W.P.A.
Newberry Library, Chicago, Illinois: Floyd Dell Papers, Eunice Tietjens Papers
Rare Book and Manuscript Library, Butler Library, Columbia University, New York, NY: Edna Kenton Papers
Rare Book and Manuscript Library, University of Pennsylvania, Philadelphia, PA: Theodore Dreiser Papers
Schlesinger Library, Radcliffe College: Ines Hayes Irwin Papers
Special Collections and Archives, Fenwick Library, George Mason University, Fairfax, Virginia: Federal Theatre Project Collection
Theatre Museum, London, England: Gollancz Archives
University Libraries, University of Iowa, Iowa City, Iowa: George Cram Cook File, Susan Glaspell File
Vassar College Library, Poughkeepsie, New York: Hallie Flanagan Davis Papers

Biographies:

Bibliography of Secondary Critical Sources 1975-present

For an annotated bibliography of reviews of Glaspell's plays from 1916 to 1992 and for citations prior to 1975, see Mary E. Papke, Susan Glaspell: A Research and Production Sourcebook, Greenwood Press, 1993.
Aarons, Victoria. "A Community of Women: Surviving Marriage in the Wilderness." In Portraits of a Marriage in Literature. Ed. Anne C. Hargrove and Maurine Magliocco. Macomb, IL: Western Illinois University, 1984. 141-49. Also in Rendezvous: Idaho State University Journal of Arts and Letters 21.2 (Spring 1986): 3-11.
Abramson, Doris, Maria Irene Fornes, Carolee Schneemann, Florence Falk, Bonnie Marranca, and Rosette C. Lamont. "Women in the Theatre." Centerpoint: A Journal of Interdisciplinary Studies 3.3/4 [Issue 11] (Fall/Spring 1980): 31-7.
Adler, Thomas P. Mirror on the Stage: The Pulitzer Plays as an Approach to American Drama. West Lafayette, IN: Purdue University Press, 1987.
Alkalay-Gut, Karen. "'A Jury of Her Peers': The Importance of Trifles." Studies in Short Fiction 21.1 (Winter 1984): 1-9.
Alkalay-Gut, Karen. "Murder and Marriage: Another Look at Trifles." In Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 71-81.
Anderlini-DOnofrio, Serena. "Is Feminist Realism Possible? A Theory of Labial Eros and Mimesis." Journal of Gender Studies 8.2 (July 1999): 159-180.
Andrews, Clarence A., and Marcia Noe. "Susan Glaspell of Davenport." The Iowan 25.4 (Summer 1977): 46-53.
Angel, Marina. "A Classical Greek Influences an American Feminist: Susan Glaspell's Debt to Aristophanes." Syracuse Law Review 52 (2001): 81+.
Angel, Marina. "Criminal Law and Women: Giving the Abused Woman Who Kills A Jury of Her Peers Who Appreciate Trifles." American Criminal Law Review 33 (1996): 229+.
Angel, Marina. "Feminism in Classical Greece and Twentieth Century America." In Problems of Interpretation: Essays in Memory of Constantinos N. Kakouris. Ed. Ant. N. Sakkoulas. Brussels: Bruylant, 2004.
Angel, Marina. "Susan Glaspell's Trifles and 'A Jury of Her Peers': Woman Abuse in a Literary and Legal Context." Buffalo Law Review 46.2 (Spring 1998): 779+.
Angel, Marina. "Teaching Susan Glaspell's 'A Jury of Her Peers' and Trifles." Journal of Legal Education 53.4 (December 2003): 548-563.
Aston, E. Review of Susan Glaspells The Verge. Theatre Journal 49.2 (May 1997): 229-231.
Atlas, Marilyn Judith. "Creating Women's Myth: Emily Dickson's Legacy to Susan Glaspell." Focus: Teaching English Language Arts 8.1 (Fall1981): 55-61.
Austin, Gayle. Feminist Theories for Dramatic Criticism. Ann Arbor: University of Michigan Press, 1990.
Bach, Gerhard, and Claudia Harris. Review of "Susan Glaspell -- Rediscovering an American Playwright." Conference and Theatre Performance. Sponsored by Brigham Young University English Department and Theatre/Film Department, Provo, Utah. 16 March 1991. Theatre Journal 44.1 (March 1992): 94-6.
Bach, Gerhard. "Susan Glaspell (1876-1948): A Bibliography of Dramatic Criticism." The Great Lakes Review: A Journal of Midwestern Culture 3.2 (Winter 1977): 1-34
Bach, Gerhard. "Susan Glaspell: Mapping the Domains of Critical Revision." IN Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor, MI: U of Michigan P, 1995. 239-58.
Bach, Gerhard. "Susan Glaspell--Provincetown Playwright." The Great Lakes Review: A Journal of Midwest Culture 4.2 (1978): 31-43.
Bach, Gerhard. "Susan Glaspell Revisited: A Workshop Report." Society for the Study of Midwestern Literature Newsletter 6.1 (Spring 1976): 2-4.
Bach, Gerhard. Susan Glaspell und die Provincetown Players: Die Aufange des modernen amerikanischen Dramas und Theaters. Frankfurt am Main: Peter Lang, 1979.
Banham, Martin, ed. The Cambridge Guide to World Theatre. Cambridge: Cambridge University Press, 1988.
Barber, Rytch. "American Expressionism and the New Woman: Glaspell, Treadwell, Bonner, and a Dramaturgy of Social Conscience." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 93-114.
Barlow, Judith E. Introduction. Plays by American Women: 1900-1930. New York: Applause Theatre Book Publishers, 1985. ix-xxxiii.
Barlow, Judith E. Introduction. Plays By American Women: The Early Years. New York: Avon, 1981. Ix-xxxii.
Barlow, Judith E. "Susan's Sisters: The 'Other' Women Writers of the Provincetown Players." In Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 259-300.
Barlow, Judith E. Women Writers of the Provincetown Players: A Collection of Short Works. Albany, NY: Excelsior Editions Press, State University of New York Press, 2009. Includes Glaspell's Women's Honor plus twelve other plays by Glaspell's colleagues at the Provincetown.
Bendel-Simso, Mary M. "Twelve Good Men or Two Good Women: Concepts of Law and Justice in Susan Glaspells A Jury of Her Peers." Studies in Short Fiction 36.3 (Summer 1999): 291-297.
Ben-Zvi, Linda. "Glaspell, Susan." In Notable Women in American Theatre: A Biographical Dictionary. Ed. Alice M. Robinson, Vera Moury Roberts, And Milly S. Barranger. Westport: Greenwood Press, 1989. 341-46.
Ben-Zvi, Linda. "'Murder, She Wrote': The Genesis of Susan Glaspells Trifles." Theatre Journal 44.2 (May 1992): 141-62. Also in Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 19-48.
Ben-Zvi, Linda. "O'Neill's Cape(d) Compatriot." The Eugene ONeill Review 19: 1-2 (Spring-Fall 1995): 129-38.
Ben-Zvi, Linda. "The Political as Personal in the Writing of Susan Glaspell." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 275-294.
Ben-Zvi, Linda. Review of Plays by Susan Glaspell, edited by C. W. E. Bigsby. Resources for American Literary Study 17.1 (Spring 1990): 122-26.
Ben-Zvi, Linda, ed. The Road to the Temple, A Biography of George Cram Cook by Susan Glaspell. Jefferson, NC, and London: McFarland & Company, Inc., 2005.
Ben-Zvi, Linda. "Susan Glaspell and Eugene O'Neill." The Eugene O'Neill Newsletter 6.2 (Summer-Fall 1982): 21-29.
Ben-Zvi, Linda. "Susan Glaspell and Eugene O'Neill: The Imagery of Gender." The Eugene O'Neill Newsletter 10.1 (Spring 1986): 22-27.
Ben-Zvi, Linda. "Susan Glaspell's Contributions to Contemporary Women Playwrights." In Feminine Focus: The New Women Playwrights. Ed. Enoch Brater. New York: Oxford University Press, 1989. 147-66.
Ben-Zvi,-Linda, ed. Susan Glaspell: Essays on Her Theater and Fiction. Ann Arbor: U of Michigan P, 1995.
Ben-Zvi, Linda. Susan Glaspell: Her Life and Times. New York: Oxford University Press, 2005.
Berkowitz, Gerald M. American Drama of the Twentieth Century. London: Longman, 1992.
Bickford, Donna M., and Nedra Reynolds. "Activism and Service-Learning: Reframing Volunteerism As Acts of Dissent." Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 2.2 (Spring 2002): 229-252.
Bigsby, C. W. E. "The Language of Crisis in British Theatre: The Drama of Cultural Pathology." In Contemporary English Drama. Edited by C. W. E. Bigsby. New York: Holmes & Meier Publishers, Inc., 1981. 11-51.
Bigsby, C. W. E. A Critical Introduction to Twentieth-Century American Drama. Volume I: 1900-1940. Cambridge: Cambridge University Press, 1982.
Bigsby, C. W. E. Introduction. Plays by Susan Glaspell: Trifles, The Outside, The Verge, Inheritors. Edited by C. W. E. Bigsby. Additional textual notes by Christine Dymkowski. Cambridge: Cambridge University Press, 1987. 1-31.
Black, Cheryl. "'Making Queer New Things:' Queer Identities in the Life and Dramaturgy of Susan Glaspell," Journal of Dramatic Theory and Criticism 20. 1 (Fall 2005): 49-64.
Black, Cheryl and Robert K. Sarls. "On the Threshold of Sexual Politics in American Theatre and Drama: The Provincetown Players." In Staging a Cultural Paradigm: The Political and the Personal in American Drama. Ed. Barbara Ozieblo and Miriam Lpez-Rodriguez, Bruxelles, Bern, Berlin, Frankfurt/M, New York, Oxford, Wien: P.I.E.-Peter Lang, 2002. 133-147.
Black, Cheryl. The Women of the Provincetown, 1915-1922. Tuscaloosa, AL: U of Alabama P, 2002.
Bohde, Cheryl D. "Susan Keating Glaspell (1876-1948)." IN American Women Writers, 1900-1945: A Bio-Bibliographical Critical Sourcebook. Ed. Laurie Champion. Westport, CT: Greenwood, 2000. 133-41.
Bonin, Jane F. Major Themes in Prize-Winning American Drama. Preface by Paul T. Nolan. Metuchen, NJ: The Scarecrow Press, Inc., 1975.
"Book Reviews/Chroniques Bibliographiques." Canadian Journal of Women & the Law 17
(2005): 233-270.
Bordman, Gerald. The Oxford Companion to American Theatre. New York: Oxfrod University Press, 1984.
Bottoms, Stephen J. "Building on the Abyss: Susan Glaspell's The Verge in Production." Theatre Topics (ThTop). 8.2 (1998): 127-47.
Bryan, Patricia. "Stories in Fiction and in Fact: Susan Glaspell's A Jury of Her Peers and the 1901 Murder Trial of Margaret Hossack." Stanford Law Review. 49 (1997): 1293.
Bryan, Patricia. "Foreshadowing 'A Jury of Her Peers': Susan Glaspell's 'The Plea" and the Case of John Wesley Elkins." In Susan Glaspell: New Directions in Critical Inquiry. Ed. Martha C. Carpentier. Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing, 2006. 45-65.
Bryan, Patricia and Thomas Wolf. Midnight Assassin: A Murder in America's Heartland. Chapel Hill, NC: Algonquin Books, 2005.
Burke, Sally. American Feminist Playwrights: A Critical History. New York: Twayne, 1996.
Burnham, John C. "The New Psychology." In 1915, The Cultural Moment: The New Politics, the New Woman, the New Psychology, the New Art & the New Theatre in America. Edited by Adele Heller and Lois Rudnick. New Brunswick: Rutgers University Press, 1991. 117-27.
Cadden, Michael. "Rewriting Literary History." American Quarterly 41.1 (March 1989: 133-37; written in response to Susan Harris Smith's "Generic Hegemony: American Drama and the Canon," 112-22; other responses include C. W. E. Bigsby's "A View from East Anglia," 128-32, as well as Susan Harris Smith's response to the responses, 138-40.
Carpentier, Martha C. "Apollonian Form and Dionysian Excess in Susan Glaspell's Drama and Fiction." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 35-50.
Carpentier, Martha C. "The Deracinated Self: Immigrants, Orphans, and the Migratory Consciousness of Willa Cather and Susan Glaspell." Studies in American Fiction Vol. 35 No. 2 (Autumn 2007): 131-158.
Carpentier, Martha C. and Barbara Ozieblo, eds. and introduction. Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. 37 DQR Studies in Literature. Amsterdam and New York: Rodopi, 2006.
Carpentier, Martha C. The Major Novels of Susan Glaspell. Gainesville, FL: UP of Florida, 2001.
Carpentier, Martha C. "Susan Glaspell." The Thomson Anthology of American Literature, Vol. 4: Modern Period (1910-1945). Ed. Martha J. Cutter. New York: Thomson Press, 2007.
Carpentier, Martha C. "Susan Glaspell's Fiction: Fidelity as American Romance." Twentieth Century Literature: A Scholarly and Critical Journal (TCL). 40.1 (1994): 92-113.
Carpentier, Martha C., ed. and introduction. Susan Glaspell: New Directions in Critical Inquiry. Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing, 2006.
Cassady, Marshall, ed. An Introduction to Modern One-Act Plays. Lincolnwood, IL: National Textbook Company, 1991.
Capo, Beth. “Can This Woman Be Saved? Birth Control and Marriage in Modern American Literature.” Modern Language Studies 34.1-2 (Spring-Fall 2004): 28-41.
Chansky, Dorothy. Review of Susan Glaspell in Context: American Theater, Culture, and Politics, 1915-1948. Theatre Survey 44.1 (May 2003): 115-117.
Chansky, Dorothy. “Kitchen Sink Realisms: American Drama, Dining, and Domestic Labor Come of Age in Little Theatre.” Journal of American Drama and Theatre 16.2 (Spring 2004): 37-56.
Chien, Ying-ying. "From Utopian to Dystopian World: Two Faces of Feminism in Contemporary Taiwanese Womens Fiction." World Literature Today 68.1 (Winter 1994): 35+.
Chinoy, Helen Krich. "Art Versus Business: The Role of Women in American Theatre." The Drama Review 24.2 (1980): 3-10.
Chinoy, Helen Krich. "Art Versus Business: The Role of Women in American Theatre." Introduction to Women in American Theatre. Eds. Helen Krich Chinoy and Linda Walsh Jenkins. New York: Crown Publishers, Inc., 1981; revised and enlarged edition published in New York: Theatre Communications Group, Inc., 1987.1-9.
Chinoy, Helen Krich. "Suppressed Desires: Women in the Theater." In Women, the Arts, and the 1920s in Paris and New York. Edited by Kenneth W. Wheeler and Virginia Lee Lussier. New Brunswick: Transaction Books, 1982. 126-32.
Chung, Kathy K.Y. "'A Different Kind of the Same Thing': Narrative, Experiential Knowledge, and Subjectivity in Susan Glaspell's Trifles and Sharon Pollock's Blood Relations." Theatre Research in Canada/Recherches Theatrales au Canada (TRIC). 20.2 (1999, Fall): 159-80
Clausson, Nils. "The Case of the Purloined Genre: Breaking the Codes in Susan Glaspell's 'A Jury of Her Peers'." Genre: Forms of Discourse and Culture (Genre). 34.1-2 (2001): 81-100.
Cohn, Ruby. "Twentieth-Century Drama." In "Part Five: 1945 to the Present," edited by Marjorie Perloff, of the Columbia Literary History of the United States, edited by Emory Elliott. New York: Columbia University Press, 1988. 1101-25.
Commire, Anne, ed; Adele Sarkissian and Agnes Garrett, assoc. eds. "Glaspell, Susan 1882-1948." In Yesterday's Authors of Books for Children: Facts and Pictures about Authors and Illustrators of Books for Young People, from Early Times to 1960. Detroit: Gale Research Company, 1978. Volume 2: 125-28.
Cotsell, Michael. The Theater of Trauma: American Modernist Drama and the Psychological Struggle for the American Mind, 1900-1930. New York: Peter Lang, 2005.
Coven, Brenda. American Women Dramatists of the Twentieth Century: A Bibliography. Metuchen, NJ: The Scarecrow Press, Inc., 1982.
Czerepinski, Jackie. "Beyond The Verge: Absent Heroines in the Plays of Susan Glaspell." In Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 145-54.
DeBoer-Langworthy, Carol (ed.). The Modern World of Neith Boyce: Autobiography and Diaries. Albuquerque: University of new Mexico Press, 2003.
Dickey, Jerry and J. Ellen Gainor. "Susan Glaspell and Sophie Treadwell: Staging Feminism and Modernism, 1915-1941." In A Companion to Twentieth-CenturyAmerican Drama. Ed. David Krasner. Oxford: Blackwell, 2005. 34-52.
Dukore, Bernard F. American Dramatists, 1918-1945. New York: Grove Press, 1984.
Duneer, Anita. "On the verge of a breakthrough: projections of escape from the attic and the thwarted tower in Charlotte Perkins Gilman's 'TheYellow Wallpaper' and Susan Glaspell's The Verge," JADT Volume 18 no 1, Winter 2006, 34-54.
Dymkowski, Christine. "On the Edge: The Plays of Susan Glaspell." Modern Drama 31.1 (March 1988): 91-105.
Dymkowski, Christine. Review of Susan Glaspell: Essays on Her Theater and Fiction. Theatre Journal 49.3 (October 1997): 389-390.
Eisenhauer, Drew. "She and She: Rachel Crothers and Susan Glaspell's Turn to Playwriting." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 115-136.
Fairbanks, Carol. Prairie Women: Images in American and Canadian Fiction. New Haven: Yale University Press, 1986.
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Shafer, Yvonne. "Susan Glaspell: German Influence, American Playwright." Zeitschrift fur Anglistik und Amerikanistik 36.4 (1988): 333-38.
Shapiro, Fred, and Jane Garry, eds. Trial and Error: An Oxford Anthology of Legal Stories. Oxford: Oxford University Press, 1998.
Shaughnessy, Nicola. “The Disappearing Subject in Susan Glaspell’s Auto/Biographical Theatre.” In Auto/Biography and Identity: Women, Theatre and Performance. Ed. by Maggie B. Gale and Viv Gardner. Manchester, England: Manchester University Pres, 2004. 39-57.
Sheehan, Kathy. "Piecing Together the Puzzle of Susan Glaspell: A Bibliography." Bulletin of Bibliography (BB). 57.2 (2000): 69-84.
Showalter, Elaine. "Common Threads." Sister's Choice: Tradition and Change in American Women's Writing. New York: Oxford University Press, 1994. 145-175.
Showalter, Elaine. "Piecing and Writing." In The Poetics of Gender. Edited by Nancy K. Miller. New York: Columbia University Press, 1986. 222-47.
Sichert, Margit. "Claire Archer: A 'Nietzscheana' in Susan Glaspell's The Verge." REAL: The Yearbook of Research in English and American Literature (REALB). 13 (1997): 271-97.
Skredsvig, Kari Meyers. "His and Hers: Gendered Perspectives and Story Processing in Glaspell's 'A Jury of Her Peers'." Kanina: Revista de Artes y Letras de la Universidad de Costa Rica (Kanina). 22.1 (1998 Jan-June): 57-64.
Smith, Beverly A. "Women's Work--Trifles? The Skill and Insights of Playwright Susan Glaspell." International Journal of Women's Studies 5.2 (March/April 1982): 172-84.
Smith, Cynthia D. "Emasculating Tom, Dick, and Harry: Representations of Masculinity in Susan Glaspell's The Verge." Journal of American Drama and Theatre 11.2 (Spring 1999): 60-77.
Stegner, Wallace. "The Trail of the Hawkeye: Literature Where the Tall Corn Grows." Saturday Review of Literature 18.14 (30 July 1983): 3-4, 16-17.
Stein, Karen F. "The Women's World of Glaspell's Trifles." In Women in American Theatre. Edited by Helen Krich Chinoy and Linda Walsh Jenkins. New York: Crown Publishers, Inc., 1981; revised and enlarged edition published in New York: Theatre Communications Group, Inc., 1987. 253-56.
Stephens, Judith L. "Gender Ideology and Dramatic Convention in Progressive Era Plays, 1890-1920." Theatre Journal 41.1 (March 1989): 45-55; republished in Performing Feminisms: Feminist Critical Theory and Theatre, edited by Sue-Ellen Case. Baltimore: Johns Hopkins University Press, 1990. 283-93.
Stephens, Judith Louise. "Women in Pulitzer Prize Plays, 1918-1949." In Women in American Theatre. Edited by Helen Krich Chinoy and Linda Walsh Jenkins. New York: Crown Publishers, Inc., 1981; revised and enlarged edition published in New York: Theatre Communications Group, Inc., 1987. 245-53.
Stormer, Nathan. "To Remember, to Act, to Forget: Tracing Collective Remembrance through A Jury of Her Peers." Communication Studies 54.4 (Winter 2003): 510.
Stretch, Cynthia. "Socialist Housekeeping: The Visioning, Sisterhood, and Cross-Class Alliance." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 223-238.
Stufft, Monica. "Flowers by Design: Susan Glaspell's Re-vision of Strindberg's A Dream Play." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 79-92.
Sundgaard, Arnold. Susan Glaspell and the Federal Theatre Revisited. Journal of American Drama and Theatre 9.1 (Winter 1997): 1-10.
Sutherland, Cynthia. "American Women Playwrights as Mediators of the 'Woman Problem.'" Modern Drama 21 (1978): 319-36.
Tanselle, G. Thomas. "George Cram Cook and the Poetry of Living, with a Checklist." Books at Iowa no. 24 (April 1976): 3-31, 35-7.
Tang, Hongfang. “Yo yong yu she yu Sushan Gelasipei’er ming ju Suo shi de yu plan yi shu.” Foreign Language Studies/Wai Guo Wen Xue Yan Jiu 30.2 (April 2008): 119-123.
Taylor, William R. In Pursuit of Gotham: Culture and Commerce in New York. Oxford: Oxford University Press, 1992.
Trimberger, Ellen Kay. "Feminism, Men, and Modern Love: Greenwich Village, 1900-1925." In Powers of Desire: The Politics of Sexuality. Edited by Ann Snitow, Christine Stansell, and Sharon Thompson. New York: Monthly Review Press, 1983. 131-52.
Vilhauer, William W. "Provincetown Players." In American Theatre Companies, 1888-1930. Edited by Weldon B. Durham. Westport: Greenwood Press, 1987. 377-89.
Vorse, Mary Heaton. Time and the Town: A Provincetown Chronicle. New York: Dial Press, 1942; reprinted edition edited by Adele Heller and with a foreword by Daniel Aaron published in New Brunswick. Rutgers University Press, 1991.
Wainscott, Ronald H. The Emergence of the Modern American Theater, 1914-1929. New Haven: Yale University Press, 1997.
Walton, Priscilla. Theorizing Textual Subjects: Agency and Oppression. American Literature 70.2 (June 1998): 423-424.
Waterman, Arthur. "Susan Glaspell (1 July 1876-27 July 1984)." In American Short-Story Writers, 1880-1910. Edited by Bobby Ellen Kimbel. Volume 78 of Dictionary of Literary Biography. Detroit: Gale Research Inc., 1989. 198-204.
Waterman, Arthur. "Susan Glaspell's The Verge: An Experiment in Feminism." The Great Lakes Review: A Journal of Midwest Culture 6.1 (Summer 1979): 17-23.
Watson, Steven. Strange Bedfellows: The First American Avant-Garde. New York: Abbeville Press, 1991.
Weisberg, Mark, and Jacalyn Duffin. "Evoking the Moral Imagination." Change 27.1 (January 1995): 20+.
Weisberg, Mark, and Jacalyn Duffen. "Using Stories to Teach Ethics and Professionalism to Nursing, Medical, and Law Students." Change 27.1 (January/February 1995): 20-28.
West, Robin. Caring for Justice. New York: New York University Press, 1997.
West, Robin. "Invisible Victims: A Comparison of Susan Glaspell's 'Jury of Her Peers' and Herman Melville's Bartleby the Scrivener." Cardozo Studies in Law and Literature (CSLL). 8.1 (1996): 203-49.
Wheeler, Kathleen. "Susan Glaspell." In A Critical Guide to Twentieth-Century Women Novelists. Oxford: Blackwell Publishers, 1997. 56-59.
Wildman, Stephanie M. "Ending Male Privilege: Beyond the Reasonable Woman." Michigan Law Review 98.6 (May 2000): 1797-1821.
Williams, Linda. "A 'Jury of Their Peers' Marlene Gorris's A Question of Silence." In Postmodernism and Its Discontents: Theories, Practices. Ed. E. Ann Kaplan. London: Verso, 1988. 107-15. Also in Multiple Voices in Feminist Film Criticism. Eds. Diane Carson, Linda Dittmar & Janice R. Welsch. Minneapolis: U of Minnesota P, 1994. 432-40.
Wolff, Tamsen. "Eugenics and the Experimental Breeding Ground of Susan Glaspells The Verge." In Evolution and Eugenics in American Literature and Culture, 1880-1940: Essays on Ideological Conflict and Complexity. Ed.Lois A. Cuddy and Claire M. Roche. Lewisburg, PA/London, England: Bucknell University Press/Associated University Press, 2003. 203-219.
Wood, Sharon E. "Susan Glaspell and the Politics of Sexuality: Proceedings of the XIII Biennial Conference: Universita degli Studi di Roma 'La Sapienza', Dipartimento di Anglistica, October 25-27, 1995." IN Red Badges of Courage: Wars and Conflicts in American Culture. Ed. Biancamarie Pisapia, Ugo Rubeo & Anna Scacchi. Rome, Italy: Bulzoni, 1998. 315-20.
Woodard, Kathy L. "Reading Classics Can Help Professionals Read Their Clients." Business FirstColumbus 16.16 (10 December 1999): 40.
Worthen, W. B. Modern Drama and the Rhetoric of Theatre. Berkeley: University of California Press, 1992.
Wright, Janet Stobbs. "Law, Justice, and Female Revenge in 'Kerfol,' by Edith Wharton, and Trifles and 'A Jury of Her Peers,' by Susan Glaspell." Atlantis: Revista de la Asociacion Espanola de Estudios Anglo Norteamericanos 24.2 (June 2002): 225-244.



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1. Susan Keating Glaspell (1 July 1876 – 27 July 1948) was an American Pulitzer Prize-winning playwright, actress, director, and bestselling novelist. ...
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Susan Glaspell, the daughter of Elmer Glaspell and Alice Keating, was born in Davenport, Iowa on 1st July 1876. She graduated from Drake University in Des ...
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Susan Glaspell Society Bibliographies:
Dramatic Work
Alison's House: A Play in Three Acts. New York: Samuel French, 1930. Also in: Six Plays. (Works by Marc Connelly, Elmer Rice, and others.) London: Victor Gollancz, Ltd., 1930. 579-672; The Pulitzer Prize Plays. Ed. K.H.C. Cordell and W.H. Cordell. New York: Random House, 1935.
Bernice: A Play in Three Acts. Theatre Arts Magazine 3 (1919): 264-300. Also in: Plays. Boston: Small, Maynard and Company, 1920; Contemporary American Dramatists, Vol. III. No. 3 in a volume issued by the publisher with the lettering Three Plays by Susan Glaspell. London: Ernest Benn, Limited, 1924.
"Chains of Dew." Unpublished typescript. Copies deposited in Library of Congress, Washington, D.C., and the Susan Glaspell Collection in the Library at St. Ambrose College, Davenport, IA.
Close the Book. The People, and Close the Book: Two One-Act Plays. New York: Frank Shay, 1918. Also in: Plays. Boston: Small, Maynard and Company, 1920.
The Comic Artist: A Play in Three Acts (with Norman Matson). New York: Frederick A. Stokes Company, 1927. Also in: Contemporary American Dramatists, Vol. VI. London: Ernest Benn, Limited, 1927.
Inheritors: A Play in Three Acts. Boston: Small, Maynard and Company, 1921. Also in: Contemporary American Dramatists, Vol. II. No. 2 in a volume issued by publisher with the lettering Three Plays by Susan Glaspell. London: Ernest Benn, Limited, 1924; New York: Dodd, Mead and Company, Inc., ca. 1928; Plays by Susan Glaspell. Ed. C.W.E. Bigsby. Cambridge: Cambridge University Press, 1987.
O Teatro de Susan Glaspell: cinco peas. Ed. and Trans. Lucia Sander. Brazil: U.S. Embassy in Brazil, 2002. Contains five plays by Susan Glaspell translated into Portuguese.
The Outside: A Play in One Act. In Plays. Boston: Small, Maynard and Company, 1920. Also in: Sea Plays. Ed. Colin Campbell Clement. Boston: Small, Maynard and Company, Inc., 1925; A Century of Plays by American Women. Ed. Rachel France. New York: Richards Rosen Press, Inc., 1979; Plays by Susan Glaspell. Ed. C.W.E. Bigsby. Cambridge: Cambridge University Press, 1987; Shorewords: A Collection of American Women’s Coastal Writings. Ed. Susan A.C. Rosen. University of Virginia Press, 2003.
The People. The People, and Close the Book: Two One-Act Plays. New York: Frank Shay, 1918. Also in: Plays. Boston: Small, Maynard and Company, 1920.
Plays. Boston: Small, Maynard and Company, 1920. (Contains Trifles, The People, Close the Book, The Outside, Woman's Honor, Bernice, Suppressed Desires, and Tickless Time, the last two written in collaboration with George Cram Cook.) Also New York: Dodd, Mead and Company, Inc., 1920.
Plays by Susan Glaspell. Ed. C.W.E. Bigsby. Additional textual notes by Christine Dymkowski. Cambridge: Cambridge University Press, 1987. (Contains Trifles, The Outside, The Verge, Inheritors.)
"Springs Eternal." Unpublished typescript. Copy deposited in Henry and Albert Berg Collection, New York Public Library.
Suppressed Desires: A Comedy in Two Scenes (with George Cram Cook). New York: Frank Shay, 1916. (The cover reads as follows: The Provincetown Plays II: Suppressed Desires--A Freudian Comedy in One Act, by George Cram Cook and Susan Glaspell.) Also in: Metropolitan 45 (January 1917): 19-20, 57-58; Plays. Boston: Small, Maynard and Company, 1920; Representative One-Act Plays by American Authors. Ed. Margaret Gardner Mayorga. Boston: Little, Brown, and Co., 1920; The Provincetown Plays. Eds. George Cram Cook and Frank Shay. Cincinnati: Stewart Kidd Company, 1921; New York and London: Samuel French, Inc., [1932]; Trifles and Six Other Short Plays. London: Ernest Benn, Ltd., 1926. 103-26; Boston: Walter H. Baker Company, 1924; Ten Short Plays. Ed. M. Jerry Weiss. New York: Dell Publishing Co., 1976; The Longman Anthology of American Drama. Ed. Lee A. Jacobus. New York: Longman, 1982; 1915, The Cultural Moment: The New Politics, the New Woman, the New Psychology, the New Art, and the New Theatre in America. Eds. Adele Heller and Lois Rudnick. New Brunswick: Rutgers University Press, 1991.
Three Plays by Susan Glaspell. London: Ernest Benn, Limited, 1924. (Contemporary American Dramatists, Vols. I-III containing The Verge, Inheritors, and Bernice.)
Tickless Time: A Comedy in One Act (with George Cram Cook). In: Plays. Boston: Small, Maynard & Company, 1920; Also in: Contemporary One-Act Plays of 1921 (American). Ed. Frank Shay. Cincinnati: Stewart Kidd Company, 1922; Reissued later in 1922 as Twenty Contemporary One-Act Plays (American) by same press; Baker's Royalty Plays. Boston: Walter H. Baker Co., 1925. 275-315; Trifles and Six Other Short Plays. London: Ernest Benn, Limited, 1926; Ten Modern Plays. Ed. J. Hampden. London: T. Nelson & Sons, Ltd. 1928; One-Act Plays for Junior High School. Ed. Catherine Bullard. New York: H. Holt & Co., 1937.
Trifles. New York: Frank Shay, The Washington Square Players, 1916. Also in: Plays. Boston: Small, Maynard and Company, 1920; Boston: Walter H. Baker Company, 1924; Trifles and Six Other Plays. London: Ernest Benn, Limited, 1926 (contains Trifles, The People, Close the Book, The Outside, Woman's Honor, Suppressed Desires, and Tickless Time); Golden Book Magazine 11 (March 1930): 97-102; New York and London: Samuel French, Inc., [1932]; Plays by Susan Glaspell. Ed. C. W. E. Bigsby. Cambridge: Cambridge University Press, 1987.
The Verge: A Play in Three Acts. Boston: Small, Maynard and Company, 1922; New York: Dodd, Mead and Company, 1922; London: Ernest Benn, Limited, 1924.; Also in: Contemporary American Dramatists, Vol. I. No. 1 in a volume issued by the publisher with the lettering Three Plays by Susan Glaspell, London: Ernest Benn, Limited, 1924; Plays by Susan Glaspell. Ed. C. W. E. Bigsby. Cambridge: Cambridge University Press, 1987.
Woman's Honor. In Plays. Boston: Small, Maynard and Company, 1920.
A Partial Listing of Anthologies containing Trifles since 1970:
Images of Women in Literature. Ed. Mary Anne Ferguson. Boston: Houghton Mifflin Co., 1973.
Women in Drama. Ed. Harriet Kriegel. New York: New American Library, 1975.
By Women: An Anthology of Literature. Ed. Linda Kirschner and Marcia Felson. Boston: Houghton, Mifflin Company, 1976.
Plays by American Women: The Early Years. Ed. Judith E. Barlow. New York: Avon Books, 1981; revised version entitled Plays by American Women: 1900-1930. Ed. Judith Barlow. New York: Applause Theatre Book Publishers, 1985.
An Introduction to Literature: Fiction/Poetry/Drama. Ed. Sylvan Barnet, Morton Berman, and William Burto. Boston: Little Brown and Company, 1985.
The Norton Anthology of Literature by Women: The Tradition in English. Ed. Sandra M. Gilbert and Susan Gubar. New York: W.W. Norton and Co., 1985.
Types of Drama: Plays and Essays. Ed. Sylvan Barnet, Morton Berman, and William Burto. Boston: Little Brown and Company, 1985.
Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy. Boston: Little, Brown and Co., 1987.
Women in Literature: Life Stages Through Stories, Poems and Plays. Ed. Sandra Eagleton. Englewood Cliffs: Prentice Hall, 1988.
Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs: Prentice Hall, 1989. (With "A Jury of Her Peers.")
The Bedford Introduction to Literature. Ed. Michael Meyer. Boston: Bedford Books of St. Martin's Press, 1990.
The Heath Anthology of American Literature. Volume 2. Ed. Paul Lauter et. al. Lexington, MA: D. C. Heath and Company, 1990.
Literature. Ed. James H. Pickering and Jeffrey D. Hoeper. New York: Macmillan Pub., Co., 1990.
Literature: The Human Experience. Ed. Richard Abcarian and Marvin Klotz. New York: St. Martin's Press, 1990.
Literature: Reading Fiction, Poetry, Drama, and the Essay. Ed. Robert DiYanni. New York: McGraw-Hill Pub. Co., 1990.
Literature and Society: An Introduction to Fiction, Poetry, Drama, Nonfiction. Ed. Pamela J. Annas and Robert C. Rosen. Englewood Cliffs: Prentice Hall, 1990.
Heritage of American Literature: Civil War to the Present. Volume 2. Ed. James E. Miller, Jr. New York: Harcourt Brace Jovanovich, 1991.
An Introduction to Modern One-Act Plays. Ed. Marshall Cassady. Lincolnwood: National Textbook Company, 1991.
Literature: Reading, Reacting, Writing. Ed. Laurie G. Kerszner and Stephen R. Mandell. Fort Worth: Holt, Rinehart and Winston, Inc., 1991.
The Norton Introduction to Literature. Ed. Carl E. Bain, Jerome Beaty, and J. Paul Hunter. New York: W. W. Norton & Co., 1991.
Novels
Ambrose Holt and Family. New York: Frederick A. Stokes Company, 1931; London: Victor Gollancz, Ltd., 1931; Hamburg, Paris, Bologna: The Albatross, 1932; New York: A. L. Burt Company, 1933.
Brook Evans. New York: Frederick A. Stokes, 1928; Also London: Victor Gollancz, Ltd., 1928; Leipzig and Vienna: TAL, 1929. (Translated by Georg Schwartz as Narzissa.); New York: A. L. Burt Company, 1930; New York: A. L. Burt Company, 1930. (Photoplay edition for The Right to Love, a film based on Brook Evans); London: The Readers Library Publishing Company, [1932]. (Published under the title The Right to Love. Brook Evans.); Jassy, Romania: Albina Romaneasca, 1936. (Translated by Elena Fotescu as Dreptul La Iubire [The Right to Love].); London: Persephone Books, Ltd., 2001 (in print).
Fidelity. Boston: Small, Maynard and Company, 1915; Also London: Jarrolds, Publishers, Ltd., 1924; Wiesbaden: Limes-Verlag, 1947. (Translated by Rudolf Nutt and Hans Beppo Wagenseil as Treue.); London: Persephone Books, Ltd., 1999 (in print).
Fugitive's Return. New York: Frederick A. Stokes Company, 1929; Also London: Victor Gollancz, Ltd., 1929; New York: A. L. Burt Company, 1931.
The Glory of the Conquered: The Story of a Great Love. New York: Frederick A. Stokes Company, 1900; Also London: Sir Isaac Pitman and Sons, 1909; Philadelphia: Library Company of Philadelphia, 1910; New York: A. L. Burt Company, 1912; London: Jarrolds, Publishers, Ltd., 1925.
Judd Rankin's Daughter. Philadelphia: J. B. Lippincott Company, 1945; Also London: Victor Gollancz, Ltd., 1946. (Published under the title Prodigal Giver.); New York: Grosset & Dunlap, Inc., 1947. (Books of Distinction.)
The Morning Is Near Us: A Novel. New York: Frederick A. Stokes Company, 1940; Also London: Victor Gollancz, Ltd., 1940; New York: Literary Guild of America, Inc., 1940; Rio de Janeiro: Olympio, 1943. (Translated by Maluh de Ouro Prdto as A Madrugada Se Aproxima.) (Col. Os Grandes Romances para a Mulher, 9.)
Norma Ashe. Philadelphia: J. B. Lippincott Company, 1942; Also London: Victor Gollancz, Ltd., 1943.
The Visioning: A Novel. New York: Frederick A. Stokes Company, 1911; Also London: John Murray, 1912; New York: A. L. Burt Company, 1913.
Short Stories
"According to His Lights." American 72 (June 1911): 153-62; reprinted in Lifted Masks as "'One of Those Impossible Americans.'" New York: Frederick A. Stokes, 1912. 1-25; New York: Winthrop Press, c. 1914; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 1-25.
"Agnes at Cape's End." American 80 (September 1915): 6-7, 67-72.
"The Anarchist: His Dog." American 74 (June 1912): 145-54; reprinted in Lifted Masks. New York: Frederick A. Stokes, 1912. 215-239; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 215-239.
"At the Source." Ladies' Home Companion 39 (May 1912): 5-6.
"At the Turn of the Road (A Christmas Story)." The Speaker 2.8 (1906): 359-61.
"At Twilight." In Lifted Masks. New York: Frederick A. Stokes, 1912. 240-57; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 240-257.
"The Awakening of the Lieutenant-Governor: A Present-Day Story of American Politics." Munsey's 31 (August 1904): 660-65; reprinted in Lifted Masks as "The Preposterous Motive." New York: Frederick A. Stokes, 1912. 173-89; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 173-189.
"'Beloved Husband.'" Harper's 136 (April 1918): 675-79.
"A Boarder of Art: How She Changed One Man's Appetite." Ladies' Home Journal 29 (October 1912): 10-11, 92-93.
"The Boycott on Caroline." Youth's Companion 80 (22 March 1906): 137-8.
"The Busy Duck." Harper's 137 (November 1918): 828-36\
Cherished and Shared of Old. Illustrated by Alice Harvey. New York: Julian Messner, Inc.,1940; Fireside Book of Yuletide Tales. Ed. E. C. Wagenknecht. Indianapolis: Bobbs Merrill, 1948.
"Coming Years." Unpublished typescript, Henry and Albert Berg Collection, New York Public Library.
"Contrary to Precedent." Booklovers 3 (January-June 1904): 234-56.
"The Escape." Harper's 140 (December 1919): 29-38.
"Everything You Want to Plant." Every Week 5 (13 August 1917): 5-7, 20-1.
"Faint Trails." Unpublished typescript, Henry and Albert Berg Collection, New York Public Library. Fictional adaptation of Bernice.
"The Faithless Shepherd." Cornhill 60 (January 1926): 51-71.
"'Finality' in Freeport." Pictorial Review 17 (July 1916): 14-15, 32.
"First Aid Teacher." Unpublished typescript, Henry and Albert Berg Collection, New York Public Library.
"For Love of the Hills." Black Cat 11 (October 1905): 1-11; reprinted in Lifted Masks. New York: Frederick A. Stokes, 1912. 41-56; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 41-56.
"For Tomorrow: The Story of an Easter Sermon." Booklovers 5 (March 1905): 559-70.
"Freckles MGrath." Munsey's 31 (July 1904): 481+; reprinted in Lifted Masks. New York: Frederick A. Stokes, 1912. 57-70; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 57-70.
"From A to Z." American 65 (October 1909): 543+; reprinted in Lifted Masks. New York: Frederick A. Stokes, 1912. 71-100; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 71-100.
"The Girl from Down-Town." Youth's Companion 77 (2 April 1903): 160-1.
"Good Luck." Good Housekeeping 67 (September 1918): 44-6, 122-26.
"'Government Goat.'" Pictorial Review April 1919: n.p.; Best Short Stories of 1919. Ed. E. J. O'Brien.Boston: Small, Maynard and Company, 1920. 147-66; Social Insight Through Short Stories. Ed. J. Strode. New York: Harper, 1946.
"The Hearing Ear." Harper's 134 (December 1916): 234-41.
"Her Heritage of Ideals." Canadian 48.1 (November 1916): 63-8.
"His America." In Lifted Masks. New York: Frederick A. Stokes, 1912. 190-214; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 190-214.
"His Smile." Pictorial Review 22 (January 1921): 15-16, 91; reprinted in Best Short Stories of 1921. Ed. E.J.H. O'Brien. Boston: Small, Maynard and Company, 1922.
"How the Prince Saw America." American 62 (July 1906): 274+; reprinted in Lifted Masks. New York: Frederick A. Stokes, 1912. 120-35; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 120-135.
"In the Face of His Constituents." Harper's 107 (October 1903): 757-62; reprinted in Lifted Masks as "The Plea." New York: Frederick A. Stokes, 1912. 26-40; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 26-40.
"The Intrusion of the Personal." Frank Leslie's Monthly 57 April 1904: 629-32.
"A Jury of Her Peers." Associated Sunday Magazine (March 4, 1917): 4-13; Every Week 5 (5 March 1917) pages unknown; reprinted in Best Short Stories of 1917. Ed. Edward J. O'Brien. Boston: Small, Maynard and Company, 1918. 256-82; London: Ernest Benn, Ltd., 1927. (Benn's Yellow Books.); Recent Short Stories. Eds. M. Pendleton and D. S. Wilkins. New York: D. Appleton & Co., 1928; Modern American Short Stories. Ed. E.J.H. O'Brien; New York: Dodd, Mead & Co., 1932; Golden Book Magazine 16 (December 1932): 506-20; Short Stories by Present-Day Authors. Ed. R. W. Pence. New York: Macmillan, 1934; The Bedside Book of Famous American Short Stories. Ed. J. A. Burrell and Bennett Cerf. New York: Random House, 1936; Murder Without Tears. Ed. W.J. Cuppy. New York: Sheridan House, 1946; Social Insight Through Short Stories. Ed. J. Strode. New York: Harper, 1946; Book of Short Stories. Ed. C. A. Pugh. New York: Macmillan Co., 1947; To the Queen's Taste. Ed. Ellery Queen. London: Faber & Faber, 1949; U.S. Stories: Regional Stories from the Forty-Eight States. Eds. Martha Foley and Abraham Rothberg. New York: Farrar, 1949; An Anthology of Famous American Stories. Eds. Angus Burrell and Bennett Cerf. New York: Modern Library, 1953; Contemporary Short Stories. Vol. 3. Ed. M. Baudin. New York: Liberal Arts Press, 1953; Saigon: Tho'i-Dai, 1959. (Translated by Anh Thu, Kim Dinh, et al., as "Ai LA Thu-pham." In an anthology containing works by Washington Irving, Louis Bromfield, Frank R. Stockton, Mary E. Wilkins Freeman, Susan Glaspell, and Bret Harte.); American Voices, American Women. Eds. Lee R. Edwards and Arlyn Diamond. New York: Avon, 1973; Literature: An Introduction to Reading and Writing. Eds. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs: Prentice Hall, 1989; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 279-306.
"The Last Sixty Minutes." In Lifted Masks. New York: Frederick A. Stokes, 1912. 136-48; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 136-148.
Lifted Masks. New York: Frederick A. Stokes Company, 1912. Contains the following stories: "One of Those Impossible Americans" (originally published as "According to His Lights"), "The Plea" (first published as "In the Face of His Constituents"), "For Love of the Hills," "Freckles M'Grath," "From A to Z," "The Man of Flesh and Blood," "How the Prince Saw America," "The Last Sixty Minutes," "'Out There,'" "The Preposterous Motive" (first published as "The Awakening of the Lieutenant Governor"), "His America," "The Anarchist: His Dog," and "At Twilight." Reprinted as Lifted Masks and Other Works. Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. Includes, in addition to the stories contained in the 1912 edition, Trifles, "A Jury of Her Peers," and "Finality in Freeport."
"Linda." Unpublished typescript, Henry and Albert Berg Collection, New York Public Library.
"Looking After Clara: What Happened to Mr. Stephen Blatchford When He Decided to Marry." Ladies' Home Journal 31 (August 1914): 9, 35-7. A contest selection arranged by Lilian Holmes Strack. Boston: Walter H. Baker Company, 1926.
"The Man of Flesh and Blood." Harper's 108 (May 1904): 957; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 101-119.
"The Manager of Crystal Sulphur Springs." Harper's 131 (June 1915): 176-184.
"A Matter of Gesture." McClure's 49 (August 1917): 36-8, 65-7.
"Miss Jessie's Trip Abroad." Woman's Home Companion 48 (November 1916): 9-10, 79.
"The Nervous Pig." Harper's 140 (February 1920): 309-20.
"Old College Friends." Unpublished story read 14 June 1899 at pre-commencement ceremonies, Drake University, Iowa.
"On the Second Down." Authors Magazine 3.1 (November 1902): 2-11.
"'Out There.'" In Lifted Masks. New York: Frederick A. Stokes, 1912. 149-72; reprinted in Lifted Masks and Other Works, Ed. Eric S. Rabkin. Ann Arbor, MI: U of Michigan P, 1993. 149-172.
"The Philosophy of War." The Delphic 15 (October 1898): 24.
"Pollen." Harper's 138 (February 1919): 446-51. Also in Golden Book Magazine 20 (September 1934): 275-82.
"Poor Ed." Liberator 1 (March 1918): 24-9.
"The Rekindling." Designer (October 1910): 325+.
"The Resurrection and the Life." Smart Set (September 1913): 65-8.
"The Return of Rhoda." Youth's Companion 79 (26 January 1905): 40.
"A Rose in the Sand." Pall Mall Magazine 1 (May 1927): 45-51.
"The Rules of the Institution." Harper's 128 (December 1913): 198-208.
"Tom and Towser." Davenport Weekly Outlook 26 December 1896: 8.
"The Tragedy of a Mind." The Delphic 14 (February 1898): 98-102.
"Unveiling Brenda." Harper's 133 (June 1916): 14-26.
"Whom Mince Pie Hath Joined Together: The Story of a Starving Girl and a Thanksgiving Dinner in Paris." Ladies' Home Journal 30 (November 1913): 10, 71-3. A contest selection arranged by Lilian Holmes Strack. Boston: Walter H. Baker Company, 1926.
Essays and Nonfiction
"Bismarck and European Politics." The Delphic 15 (March 1899): 149. (An oration awarded first prize in the Drake oratorical contest.)
"Dwellers on Parnassos." New Republic 33 (17 January 1923): 198-200.
"George Cram Cook: Founder of The Provincetown Players." 11 October 1924 Provincetown playbill for The Saint.
The Hossack Case reports. Des Moines Daily News 3 December 1900-13 April 1901.
"In Memoriam." The Delphic 15 (February 1899): 126-29.
"Joe." The Masses 8 (January 1916): 9.
"John Noble." New York Herald Tribune Magazine 13 May 1934: 7.
"Last Days in Greece." In Greek Coins: Poems by George Cram Cook. Ed. by Susan Glaspell. New York: George H. Doran Company, 1925. 31-49.
"The News Girl" columns. Des Moines Daily News 4 April 1900: 4, cols. 5-6; 19 May 1900: 4 cols. 6-7; 1 June 1900: 5, cols. 6-7; 2 June 1900: 4, col. 5; 16 June 1900: 4, cols. 6-7; 30 June 1900; 3 July 1900.
"The Provincetown Players." In The Provincetown Guide Book. Provincetown, Massachusetts: The Art Association, 1928. 12-14.
"The Right of Choice Is Freedom: To Chirp or Not to Chirp, That is the Question for Crickets." Chicago Sun 2 December 1945: page numbers unknown.
The Road to the Temple. London: Ernest Benn, Limited, 1926; New York: Frederick A. Stokes Company, 1927; New York: Frederick A. Stokes Company, 1941. (Without illustrations, republished with a new foreword); The Road to the Temple: A Biography of George Cram Cook. Ed. with new introduction and bibliography by Linda Ben-Zvi. Jefferson, North Carolina, and London: McFarland & Company, Inc., 2005.
"Social Life" columns. Davenport Weekly Outlook July 1896-July 1897.
"Susan Glaspell Says We Need Books Today As Never Before." Chicago Sunday Tribune 6 December 1942: sec. 4, p. 11.
Non-print Sources: Film, Filmstrips, Audiotapes
Beginnings. Produced and distributed by Rutgers University Press, 109 Church St., New Brunswick, NJ 08901. Available on videotape format separately or as part of a book/videotape package. 1992.
A Jury of Her Peers. Directed by Sally Heckel. Produced and distributed by Texture Films, Inc., Division of Public Media Inc., P. 0. Box 1337, Skokie, IL 60076; 5547 North Ravenswood Avenue, Chicago, IL 60640. Available in 16 mm. film and in 3/4 or 1/2 inch video. Length: 30 minutes. Color. 1981. Reissued in 2006 by Women Make Movies, a non-profit feminist media arts distributor of films and videos by and about women. For more info: http://www.wmm.com/filmcatalog/pages/c656.shtml
The Right to Love. Directed by Richard Wallace. Produced and distributed by Paramount. Cinematography by Charles Lang. Starring Ruth Chatterton, Paul Lukas, David Manners, George Baxter, Irving Pichel, Veda Buckland, and Oscar Apfel. Screenplay by Zoe Akins. Feature film. Length: 79 minutes. Black and white. 1931. Based on the novel Brook Evans.
A Question of Justice. In the series entitled American Woman In Fact and Fiction Series. Produced and distributed by University of California Ext. Media Center, 2176 Shattuck Avenue, Berkeley, CA 94704. One 7/8 IPS audio tape cassette, monaural. Length: 30 minutes. 1958. A dramatic adaptation of the short story "A Jury of Her Peers."
Trifles. Produced by Martha Moran. Distributed by Phoenix/BFA Films and Video, Inc., 470 Park Avenue South, New York, NY 10016. Available in 16 mm. film and in 3/4 or 1/2 inch video. Length: 21 minutes. Color. Aimed at the junior college and adult level. 1979. Based on the short story "A Jury of Her Peers" and the play Trifles.
Trifles. Produced and distributed by Centre Productions, 1800 30th Street, Suite 207, Boulder, CO 80301. Media type is listed as MV1B. Length: 22 minutes. Color. Aimed at the high school level. No release date listed. Based on the play Trifles.
You Decide--Making Moral Decisions; Part 3--Conscience vs. the Law. Produced by Sunburst communications, 39 Washington Avenue, Pleasantville, NY 10570. Filmstrip with record, cassette, and script. Length: 82 frames. Color. Aimed at the junior-high level. "A Jury of Her Peers" is used to illustrate Lawrence Kohlberg's theory of moral development.
Archival Resources and Manuscript Collections
Archives of Labor and Urban Affairs, Walter P. Reuther Library, Wayne State University, Detroit, Michigan: Mary Heaton Vorse, Playhouse History I and Mary Heaton Vorse, Playhouse History II
Beinecke Rare Books and Manuscript Library, Yale University, New Haven, Connecticut: Barrett Clark Papers, Arthur Ficke Papers, Hutchins Hapgood and Neith Boyce Papers, Edna Kenton, The Provincetown Players and the Playwrights Theatre, 1915-1922, Lawrence Langner Papers, Eugene ONeill Collection, Carl Van Vechten Papers, Edmund Wilson Papers
Berg (Henry W. and Albert A.) Collection of English and American Literature, New York Public Library, Astor, Lenox, and Tilden Foundations, New York, NY: George Cram Cook Papers, Susan Glaspell Papers, May Sarton Papers
Billy Rose Theatre Collection, New York Public Library for the Performing Arts, New York, NY: George Cram Cook File, Susan Glaspell File, Edward Goodman Papers, Provincetown Players File
Clifton Waller Barrett Library of American Literature, Special Collections Department, University of Virginia Library, Charlottesville, Virginia: Papers of Susan Glaspell, Papers of Eugene ONeill
Copyright Drama Collection, Manuscript Division, Library of Congress, Washington DC: Federal Theatre Project Collection
Davenport Public Library, Davenport, Iowa: Susan Glaspell File
Department of Special Collections, University of California Library, Davis, California: Robert Karoly Sarlos Papers
Department of Rare Books and Special Collections, University of Michigan Library, Ann Arbor, Michigan
Department of Special Collections, Stanford University Libraries, Stanford, CA
Drake University, Des Moines, Iowa: Susan Glaspell File, Records Office
Fales Collection, Elmer Bobst Library, New York University, New York, NY: Edna Kenton Papers
Harvard Theatre Collection, Nathan Marsh Pusey Library, Harvard University, Cambridge, Massachusetts: Agnes Boulton Papers, Susan Glaspell Papers, Edna Kenton Papers, Eugene O’Neill Papers, Provincetown Players Scrapbooks
Houghton Library, Harvard University: Martha Dickinson Bianchi Papers, John Reed Papers
Lilly Library, Indiana University, Bloomington Indiana
Museum of the History of New York: Provincetown Players File
National Archives, Washington DC: Records of the Federal Theatre Project, Records of the W.P.A.
Newberry Library, Chicago, Illinois: Floyd Dell Papers, Eunice Tietjens Papers
Rare Book and Manuscript Library, Butler Library, Columbia University, New York, NY: Edna Kenton Papers
Rare Book and Manuscript Library, University of Pennsylvania, Philadelphia, PA: Theodore Dreiser Papers
Schlesinger Library, Radcliffe College: Ines Hayes Irwin Papers
Special Collections and Archives, Fenwick Library, George Mason University, Fairfax, Virginia: Federal Theatre Project Collection
Theatre Museum, London, England: Gollancz Archives
University Libraries, University of Iowa, Iowa City, Iowa: George Cram Cook File, Susan Glaspell File
Vassar College Library, Poughkeepsie, New York: Hallie Flanagan Davis Papers

Biographies:

Bibliography of Secondary Critical Sources 1975-present

For an annotated bibliography of reviews of Glaspell's plays from 1916 to 1992 and for citations prior to 1975, see Mary E. Papke, Susan Glaspell: A Research and Production Sourcebook, Greenwood Press, 1993.
Aarons, Victoria. "A Community of Women: Surviving Marriage in the Wilderness." In Portraits of a Marriage in Literature. Ed. Anne C. Hargrove and Maurine Magliocco. Macomb, IL: Western Illinois University, 1984. 141-49. Also in Rendezvous: Idaho State University Journal of Arts and Letters 21.2 (Spring 1986): 3-11.
Abramson, Doris, Maria Irene Fornes, Carolee Schneemann, Florence Falk, Bonnie Marranca, and Rosette C. Lamont. "Women in the Theatre." Centerpoint: A Journal of Interdisciplinary Studies 3.3/4 [Issue 11] (Fall/Spring 1980): 31-7.
Adler, Thomas P. Mirror on the Stage: The Pulitzer Plays as an Approach to American Drama. West Lafayette, IN: Purdue University Press, 1987.
Alkalay-Gut, Karen. "'A Jury of Her Peers': The Importance of Trifles." Studies in Short Fiction 21.1 (Winter 1984): 1-9.
Alkalay-Gut, Karen. "Murder and Marriage: Another Look at Trifles." In Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 71-81.
Anderlini-DOnofrio, Serena. "Is Feminist Realism Possible? A Theory of Labial Eros and Mimesis." Journal of Gender Studies 8.2 (July 1999): 159-180.
Andrews, Clarence A., and Marcia Noe. "Susan Glaspell of Davenport." The Iowan 25.4 (Summer 1977): 46-53.
Angel, Marina. "A Classical Greek Influences an American Feminist: Susan Glaspell's Debt to Aristophanes." Syracuse Law Review 52 (2001): 81+.
Angel, Marina. "Criminal Law and Women: Giving the Abused Woman Who Kills A Jury of Her Peers Who Appreciate Trifles." American Criminal Law Review 33 (1996): 229+.
Angel, Marina. "Feminism in Classical Greece and Twentieth Century America." In Problems of Interpretation: Essays in Memory of Constantinos N. Kakouris. Ed. Ant. N. Sakkoulas. Brussels: Bruylant, 2004.
Angel, Marina. "Susan Glaspell's Trifles and 'A Jury of Her Peers': Woman Abuse in a Literary and Legal Context." Buffalo Law Review 46.2 (Spring 1998): 779+.
Angel, Marina. "Teaching Susan Glaspell's 'A Jury of Her Peers' and Trifles." Journal of Legal Education 53.4 (December 2003): 548-563.
Aston, E. Review of Susan Glaspells The Verge. Theatre Journal 49.2 (May 1997): 229-231.
Atlas, Marilyn Judith. "Creating Women's Myth: Emily Dickson's Legacy to Susan Glaspell." Focus: Teaching English Language Arts 8.1 (Fall1981): 55-61.
Austin, Gayle. Feminist Theories for Dramatic Criticism. Ann Arbor: University of Michigan Press, 1990.
Bach, Gerhard, and Claudia Harris. Review of "Susan Glaspell -- Rediscovering an American Playwright." Conference and Theatre Performance. Sponsored by Brigham Young University English Department and Theatre/Film Department, Provo, Utah. 16 March 1991. Theatre Journal 44.1 (March 1992): 94-6.
Bach, Gerhard. "Susan Glaspell (1876-1948): A Bibliography of Dramatic Criticism." The Great Lakes Review: A Journal of Midwestern Culture 3.2 (Winter 1977): 1-34
Bach, Gerhard. "Susan Glaspell: Mapping the Domains of Critical Revision." IN Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor, MI: U of Michigan P, 1995. 239-58.
Bach, Gerhard. "Susan Glaspell--Provincetown Playwright." The Great Lakes Review: A Journal of Midwest Culture 4.2 (1978): 31-43.
Bach, Gerhard. "Susan Glaspell Revisited: A Workshop Report." Society for the Study of Midwestern Literature Newsletter 6.1 (Spring 1976): 2-4.
Bach, Gerhard. Susan Glaspell und die Provincetown Players: Die Aufange des modernen amerikanischen Dramas und Theaters. Frankfurt am Main: Peter Lang, 1979.
Banham, Martin, ed. The Cambridge Guide to World Theatre. Cambridge: Cambridge University Press, 1988.
Barber, Rytch. "American Expressionism and the New Woman: Glaspell, Treadwell, Bonner, and a Dramaturgy of Social Conscience." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 93-114.
Barlow, Judith E. Introduction. Plays by American Women: 1900-1930. New York: Applause Theatre Book Publishers, 1985. ix-xxxiii.
Barlow, Judith E. Introduction. Plays By American Women: The Early Years. New York: Avon, 1981. Ix-xxxii.
Barlow, Judith E. "Susan's Sisters: The 'Other' Women Writers of the Provincetown Players." In Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 259-300.
Barlow, Judith E. Women Writers of the Provincetown Players: A Collection of Short Works. Albany, NY: Excelsior Editions Press, State University of New York Press, 2009. Includes Glaspell's Women's Honor plus twelve other plays by Glaspell's colleagues at the Provincetown.
Bendel-Simso, Mary M. "Twelve Good Men or Two Good Women: Concepts of Law and Justice in Susan Glaspells A Jury of Her Peers." Studies in Short Fiction 36.3 (Summer 1999): 291-297.
Ben-Zvi, Linda. "Glaspell, Susan." In Notable Women in American Theatre: A Biographical Dictionary. Ed. Alice M. Robinson, Vera Moury Roberts, And Milly S. Barranger. Westport: Greenwood Press, 1989. 341-46.
Ben-Zvi, Linda. "'Murder, She Wrote': The Genesis of Susan Glaspells Trifles." Theatre Journal 44.2 (May 1992): 141-62. Also in Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor: U of Michigan P, 1995. 19-48.
Ben-Zvi, Linda. "O'Neill's Cape(d) Compatriot." The Eugene ONeill Review 19: 1-2 (Spring-Fall 1995): 129-38.
Ben-Zvi, Linda. "The Political as Personal in the Writing of Susan Glaspell." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 275-294.
Ben-Zvi, Linda. Review of Plays by Susan Glaspell, edited by C. W. E. Bigsby. Resources for American Literary Study 17.1 (Spring 1990): 122-26.
Ben-Zvi, Linda, ed. The Road to the Temple, A Biography of George Cram Cook by Susan Glaspell. Jefferson, NC, and London: McFarland & Company, Inc., 2005.
Ben-Zvi, Linda. "Susan Glaspell and Eugene O'Neill." The Eugene O'Neill Newsletter 6.2 (Summer-Fall 1982): 21-29.
Ben-Zvi, Linda. "Susan Glaspell and Eugene O'Neill: The Imagery of Gender." The Eugene O'Neill Newsletter 10.1 (Spring 1986): 22-27.
Ben-Zvi, Linda. "Susan Glaspell's Contributions to Contemporary Women Playwrights." In Feminine Focus: The New Women Playwrights. Ed. Enoch Brater. New York: Oxford University Press, 1989. 147-66.
Ben-Zvi,-Linda, ed. Susan Glaspell: Essays on Her Theater and Fiction. Ann Arbor: U of Michigan P, 1995.
Ben-Zvi, Linda. Susan Glaspell: Her Life and Times. New York: Oxford University Press, 2005.
Berkowitz, Gerald M. American Drama of the Twentieth Century. London: Longman, 1992.
Bickford, Donna M., and Nedra Reynolds. "Activism and Service-Learning: Reframing Volunteerism As Acts of Dissent." Pedagogy: Critical Approaches to Teaching Literature, Language, Composition, and Culture 2.2 (Spring 2002): 229-252.
Bigsby, C. W. E. "The Language of Crisis in British Theatre: The Drama of Cultural Pathology." In Contemporary English Drama. Edited by C. W. E. Bigsby. New York: Holmes & Meier Publishers, Inc., 1981. 11-51.
Bigsby, C. W. E. A Critical Introduction to Twentieth-Century American Drama. Volume I: 1900-1940. Cambridge: Cambridge University Press, 1982.
Bigsby, C. W. E. Introduction. Plays by Susan Glaspell: Trifles, The Outside, The Verge, Inheritors. Edited by C. W. E. Bigsby. Additional textual notes by Christine Dymkowski. Cambridge: Cambridge University Press, 1987. 1-31.
Black, Cheryl. "'Making Queer New Things:' Queer Identities in the Life and Dramaturgy of Susan Glaspell," Journal of Dramatic Theory and Criticism 20. 1 (Fall 2005): 49-64.
Black, Cheryl and Robert K. Sarls. "On the Threshold of Sexual Politics in American Theatre and Drama: The Provincetown Players." In Staging a Cultural Paradigm: The Political and the Personal in American Drama. Ed. Barbara Ozieblo and Miriam Lpez-Rodriguez, Bruxelles, Bern, Berlin, Frankfurt/M, New York, Oxford, Wien: P.I.E.-Peter Lang, 2002. 133-147.
Black, Cheryl. The Women of the Provincetown, 1915-1922. Tuscaloosa, AL: U of Alabama P, 2002.
Bohde, Cheryl D. "Susan Keating Glaspell (1876-1948)." IN American Women Writers, 1900-1945: A Bio-Bibliographical Critical Sourcebook. Ed. Laurie Champion. Westport, CT: Greenwood, 2000. 133-41.
Bonin, Jane F. Major Themes in Prize-Winning American Drama. Preface by Paul T. Nolan. Metuchen, NJ: The Scarecrow Press, Inc., 1975.
"Book Reviews/Chroniques Bibliographiques." Canadian Journal of Women & the Law 17
(2005): 233-270.
Bordman, Gerald. The Oxford Companion to American Theatre. New York: Oxfrod University Press, 1984.
Bottoms, Stephen J. "Building on the Abyss: Susan Glaspell's The Verge in Production." Theatre Topics (ThTop). 8.2 (1998): 127-47.
Bryan, Patricia. "Stories in Fiction and in Fact: Susan Glaspell's A Jury of Her Peers and the 1901 Murder Trial of Margaret Hossack." Stanford Law Review. 49 (1997): 1293.
Bryan, Patricia. "Foreshadowing 'A Jury of Her Peers': Susan Glaspell's 'The Plea" and the Case of John Wesley Elkins." In Susan Glaspell: New Directions in Critical Inquiry. Ed. Martha C. Carpentier. Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing, 2006. 45-65.
Bryan, Patricia and Thomas Wolf. Midnight Assassin: A Murder in America's Heartland. Chapel Hill, NC: Algonquin Books, 2005.
Burke, Sally. American Feminist Playwrights: A Critical History. New York: Twayne, 1996.
Burnham, John C. "The New Psychology." In 1915, The Cultural Moment: The New Politics, the New Woman, the New Psychology, the New Art & the New Theatre in America. Edited by Adele Heller and Lois Rudnick. New Brunswick: Rutgers University Press, 1991. 117-27.
Cadden, Michael. "Rewriting Literary History." American Quarterly 41.1 (March 1989: 133-37; written in response to Susan Harris Smith's "Generic Hegemony: American Drama and the Canon," 112-22; other responses include C. W. E. Bigsby's "A View from East Anglia," 128-32, as well as Susan Harris Smith's response to the responses, 138-40.
Carpentier, Martha C. "Apollonian Form and Dionysian Excess in Susan Glaspell's Drama and Fiction." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 35-50.
Carpentier, Martha C. "The Deracinated Self: Immigrants, Orphans, and the Migratory Consciousness of Willa Cather and Susan Glaspell." Studies in American Fiction Vol. 35 No. 2 (Autumn 2007): 131-158.
Carpentier, Martha C. and Barbara Ozieblo, eds. and introduction. Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. 37 DQR Studies in Literature. Amsterdam and New York: Rodopi, 2006.
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Papke, Mary E. “Susan Glaspell.” In Twentieth-Century American Dramatists. Second Series. Ed. by Christopher J. Wheatley. Detroit: Thomson, Gale, 2000. 87-95.
Papke, Mary E. Susan Glaspell: A Research and Production Sourcebook. Westport, CT: Greenwood, 1993. 299.
Papke, Mary E. "Susan Glaspell's Last Word on Democracy and War." In Susan Glaspell: New Directions in Critical Inquiry. Ed. Martha C. Carpentier. Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing, 2006. 80-88.
Papke, Mary E. "Susan Glaspell's Naturalist Scenarios of Determinism and Blind Faith." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 19-34.
Pool, Gail. “A Tradition of Terror.” The Women’s Review of Books 14.6 (March 1997): 1, 3.
Purinton, Marjean D. "Reading Marital Relationships: The Wallpaper in A Room of Ones Own. In The Pedagogical Wallpaper: Teaching Charlotte Perkins Gilmans "The Yellow Wall-Paper." Ed. Jeffrey Andrew Weinstock. New York, NY: Peter Lang, 2003. 94-111.
Rabkin, Eric S., ed. Lifted Masks and Other Works. Ann Arbor: U of Michigan P, 1993.
Radel, Nicholas F. "Provincetown Plays: Women Writers and ONeills American Intertext." Essays in Theatre 9.1 (November 1990): 31-43.
Rajkowska, Barbara Ozieblo. "Discovering and Reading the American Woman." Revista Alicantina de Estudios Ingleses 2 (November 1989): 119-25.
Riney-Kehrberg, Pamela. "'Broke in spirits': Death, Depression, and Endurance through Writing." Frontiers 17.2 (1996): 70-86.
Rodier, Katharine. "Glaspell and Dickinson: Surveying the Premises of Alison's House." IN Susan Glaspell: Essays on Her Theater and Fiction. Ed. Linda Ben-Zvi. Ann Arbor, MI: U of Michigan P, 1995. 195-218.
Rose, Jane E., and Maxilyn Voss. "The Unity in Community: Fostering Academic Success Among Diverse Communities of Male Offenders in Correctional Institutions." The Journal of Correctional Education 54.4 (December 2003): 131-159.
Rudnick, Lois. "The New Woman." In 1915, The Cultural Moment: The New Politics, the New Woman, the New Psychology, the New Art & the New Theatre in America. Edited by Adele Heller and Lois Rudnick. New Brunswick: Rutgers University Press, 1991. 69-81.
Russell, Judith Kay. "Glaspell's Trifles." Explicator 55.2 (1997): 88-90.
Sander, Lucia V. Susan and Me: Critical and Autocritical Essays on Susan Glaspell's Theatre. Braslia DF, Brazil: University of Braslia Press, 2007. [in Portuguese]
Sander, Lucia V. (ed./trans.) O Teatro de Susan Glaspell Cinco Peas. Brasilia: Embaixada dos Estados Unidos da Amrica, Seo de Imprensa, Educao e Cultura, 2002. [Five plays by Susan Glaspell translated into Portuguese].
Sander, Lucia V. "A Trembling Hand and a Rocking Chair: Glaspell, O'Neill, and Their Early Dramatic Experiments." In Susan Glaspell: New Directions in Critical Inquiry. Ed. Martha C. Carpentier. Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing, 2006. 25-36.
Sarlos, Robert K. "Producing Principles and Practices of the Provincetown Players." Theatre Research/Recherches Theatrales 10.2 (1970): 89-102.
Sarlos, Robert K. "Jig Cook and Susan Glaspell: Rule Makers and Rule Breakers." In 1915, The Cultural Moment: The New Politics, the New Woman, the New Psychology, the New Art & the New Theatre in America. Edited by Adele Heller and Lois Rudnick. New Brunswick: Rutgers University Press, 1991. 250-59.
Sarlos, Robert Karoly. Jig Cook and the Provincetown Players: Theatre in Ferment. Amherst: University of Massachusetts Press, 1982.
Schafer, Jurgen. Geschichte des amerikanischen Dramas im20. Jahrhundert. Stuttgart: Verlag W. Kohlhammer, 1982.
Schiff, Karen; Young, Art. "Discovery Reading: Conversations about Trifles." IN The Subjects Is Reading: Essays by Teachers and Students. Ed. Wendy Bishop. Portsmouth, NH: Boynton/Cook; Heinemann, 2000. 135-47.
Schlueter, June. Introduction. Modern American Drama: The Female Canon. Edited by June Schlueter. Rutherford: Fairleigh Dickinson University Press, 1990. 11-23.
Schroeder, Patricia R. The Presence of the Past in Modern American Drama. London: Associated University Presses, 1989.
Schwank, Klaus. "Die dramatischen Experimente Susan Glaspells The Outside und The Verge." Amerikastudien/American Studies 34.4 (1989): 413-421.
Schwarz, Judith. Radical Feminists of Heterodoxy: Greenwich Village 1912-1940. Lebanon, NH: New Victoria Publishers, Inc., 1982.
Shafer, Yvonne. "Susan Glaspell: German Influence, American Playwright." Zeitschrift fur Anglistik und Amerikanistik 36.4 (1988): 333-38.
Shapiro, Fred, and Jane Garry, eds. Trial and Error: An Oxford Anthology of Legal Stories. Oxford: Oxford University Press, 1998.
Shaughnessy, Nicola. “The Disappearing Subject in Susan Glaspell’s Auto/Biographical Theatre.” In Auto/Biography and Identity: Women, Theatre and Performance. Ed. by Maggie B. Gale and Viv Gardner. Manchester, England: Manchester University Pres, 2004. 39-57.
Sheehan, Kathy. "Piecing Together the Puzzle of Susan Glaspell: A Bibliography." Bulletin of Bibliography (BB). 57.2 (2000): 69-84.
Showalter, Elaine. "Common Threads." Sister's Choice: Tradition and Change in American Women's Writing. New York: Oxford University Press, 1994. 145-175.
Showalter, Elaine. "Piecing and Writing." In The Poetics of Gender. Edited by Nancy K. Miller. New York: Columbia University Press, 1986. 222-47.
Sichert, Margit. "Claire Archer: A 'Nietzscheana' in Susan Glaspell's The Verge." REAL: The Yearbook of Research in English and American Literature (REALB). 13 (1997): 271-97.
Skredsvig, Kari Meyers. "His and Hers: Gendered Perspectives and Story Processing in Glaspell's 'A Jury of Her Peers'." Kanina: Revista de Artes y Letras de la Universidad de Costa Rica (Kanina). 22.1 (1998 Jan-June): 57-64.
Smith, Beverly A. "Women's Work--Trifles? The Skill and Insights of Playwright Susan Glaspell." International Journal of Women's Studies 5.2 (March/April 1982): 172-84.
Smith, Cynthia D. "Emasculating Tom, Dick, and Harry: Representations of Masculinity in Susan Glaspell's The Verge." Journal of American Drama and Theatre 11.2 (Spring 1999): 60-77.
Stegner, Wallace. "The Trail of the Hawkeye: Literature Where the Tall Corn Grows." Saturday Review of Literature 18.14 (30 July 1983): 3-4, 16-17.
Stein, Karen F. "The Women's World of Glaspell's Trifles." In Women in American Theatre. Edited by Helen Krich Chinoy and Linda Walsh Jenkins. New York: Crown Publishers, Inc., 1981; revised and enlarged edition published in New York: Theatre Communications Group, Inc., 1987. 253-56.
Stephens, Judith L. "Gender Ideology and Dramatic Convention in Progressive Era Plays, 1890-1920." Theatre Journal 41.1 (March 1989): 45-55; republished in Performing Feminisms: Feminist Critical Theory and Theatre, edited by Sue-Ellen Case. Baltimore: Johns Hopkins University Press, 1990. 283-93.
Stephens, Judith Louise. "Women in Pulitzer Prize Plays, 1918-1949." In Women in American Theatre. Edited by Helen Krich Chinoy and Linda Walsh Jenkins. New York: Crown Publishers, Inc., 1981; revised and enlarged edition published in New York: Theatre Communications Group, Inc., 1987. 245-53.
Stormer, Nathan. "To Remember, to Act, to Forget: Tracing Collective Remembrance through A Jury of Her Peers." Communication Studies 54.4 (Winter 2003): 510.
Stretch, Cynthia. "Socialist Housekeeping: The Visioning, Sisterhood, and Cross-Class Alliance." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 223-238.
Stufft, Monica. "Flowers by Design: Susan Glaspell's Re-vision of Strindberg's A Dream Play." In Disclosing Intertextualities: The Stories, Plays, and Novels of Susan Glaspell. Eds. Martha C. Carpentier and Barbara Ozieblo. Amsterdam and New York: Rodopi, 2006. 79-92.
Sundgaard, Arnold. Susan Glaspell and the Federal Theatre Revisited. Journal of American Drama and Theatre 9.1 (Winter 1997): 1-10.
Sutherland, Cynthia. "American Women Playwrights as Mediators of the 'Woman Problem.'" Modern Drama 21 (1978): 319-36.
Tanselle, G. Thomas. "George Cram Cook and the Poetry of Living, with a Checklist." Books at Iowa no. 24 (April 1976): 3-31, 35-7.
Tang, Hongfang. “Yo yong yu she yu Sushan Gelasipei’er ming ju Suo shi de yu plan yi shu.” Foreign Language Studies/Wai Guo Wen Xue Yan Jiu 30.2 (April 2008): 119-123.
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Wright, Janet Stobbs. "Law, Justice, and Female Revenge in 'Kerfol,' by Edith Wharton, and Trifles and 'A Jury of Her Peers,' by Susan Glaspell." Atlantis: Revista de la Asociacion Espanola de Estudios Anglo Norteamericanos 24.2 (June 2002): 225-244.



Susan Glaspell and Google:
1. Susan Keating Glaspell (1 July 1876 – 27 July 1948) was an American Pulitzer Prize-winning playwright, actress, director, and bestselling novelist. ...
Biography - Disappearance and Revival - Bibliography - References
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2. About the Author -- Susan Glaspell
Susan Glaspell was born in 1882 in Davenport, Iowa. She graduated from Drake University and worked as a journalist on the staff of the Des Moines Daily News ...
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3. Susan Glaspell Society - Homepage
Jul 23, 2010 ... This session will explore through performance and discussion the survival strategies for the woman artist in Susan Glaspell's The Outside. ...
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4. PAL: Susan Glaspell (1876-1948)
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As one of the founders of the Playwright's Theatre, also known as the Provincetown Players, Susan Glaspell led a revolution in American theater. ...
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5. Susan Glaspell : Biography
Susan Glaspell, the daughter of Elmer Glaspell and Alice Keating, was born in Davenport, Iowa on 1st July 1876. She graduated from Drake University in Des ...
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7. Susan Glaspell: Trifles - FGCU
Jul 30, 1996 ... Susan Keating Glaspell was born in Davenport, Iowa, on July 1, 1876 (Noe 48). She graduated from Drake University in Des Moines, Iowa, ...
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8. Susan Glaspell
The career of Susan Glaspell, whatever the limitations of her achievement, presents an admirable instance of someone who continued to grow, ...
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9. Susan Glaspell: Biography from Answers.com
Susan Glaspell Glaspell, Susan (1882–1948), playwright. Born in Davenport, Iowa, the playwright and novelist studied at Drake University and the.
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10. Susan Glaspell (American dramatist and novelist) -- Britannica ...
Susan Glaspell (American dramatist and novelist), July 1, 1876Davenport, Iowa, U.S.July 27, 1948Provincetown, Mass.American dramatist and novelist who, ...
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11. A Jury of Her Peers - Google Books Result
Susan Glaspell - 2005 - Fiction - 48 pages
Two women uncover the truth in a rural murder investigation.
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1876 Trifles by Susan Glaspell (2006 8 ) Susan Glaspell was born in Davenport, Iowa in 1876. .. Example Of Legal Paperwork For example, when they ...
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1916 An analysis of the plot and characters of "Trifles" by Susan Glaspell. Written in 1916, Susan Glaspell's one-act play is loosely based on an actual ...
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